Category Archives: Colorado City Colorado

I’ve Been Shot! Film Making in Colorado’s Pikes Peak Region

c 2022 by Jan MacKell Collins

Portions of this article have appeared in Kiva and the Colorado Gambler magazines.

If the experts are correct, over 300 films have been shot in Colorado over time. Narrow that number down to movies that have been filmed in the Pikes Peak region, and the estimate seems small. For well over a century, the wild, enchanting landscapes around Colorado Springs, Cripple Creek and Canon City have been catching the eye of prominent film makers from around the world. Thomas Edison, for instance, is credited as the first film producer to realize the potential of Colorado’s scenic wonders. In 1891, Edison produced the first ever moving picture. Shooting live film was a new and difficult process, and Edison’s films in those early days only averaged between 30 seconds
and two minutes in length. But they fascinated theater goers who had never imagined it was possible to capture people moving on film.

In 1897, Edison had fine-tuned his techniques enough to send an employee, James Henry White, out West to shoot motion picture films. White’s first stop was Colorado, where he filmed a number of short, unscripted scenes. His earliest attempt in El Paso County lasted 2 ½ minutes and depicted cattle being forded across a stream and branded. Other efforts recorded Ute Indian dances, downtown scenes of Denver and an obscure piece known as “Cripple Creek Float.” The projects immediately caught the eye of local railroad companies who saw commercial value in them. The idea of producing an actual story on film was not far off.

Edison’s real breakthrough in Colorado came with the 1898 production of a 45 second film called “Cripple Creek Barroom”. The scene depicts a number of men drinking and playing poker while being served by a “barmaid” who was actually a hefty man dressed in women’s clothing. A drunk enters the room, knocks the hat off of one of the customers, and is unceremoniously escorted out by the crowd. Although it was actually shot at Edison’s Black Maria studio in New Jersey, “Cripple Creek Barroom” was important for a number of reasons. First, it shows how Cripple Creek was indeed famous across America. It was also the first time a film maker actually created a story on film. Today, “Cripple Creek Barroom” is considered among movie buffs as the first western ever filmed.

Other filming locations would take place in Colorado. In 1902, the Selig-Polyscope Company of Chicago followed the trail of Edison by establishing their own agent in Colorado. His name was Henry H. “Buck” Buckwalter, a Denver photographer who jumped at the chance to try film making. Buckwalter also took several photographs in and around Cripple Creek. On the side he also ran his own projecting company
and during the summer months showed his own projects, as well as movies sent to him by Selig, in Denver and Colorado Springs. Over the next six years, both Edison and Selig-Polyscope shot more films in both Colorado and their respective eastern studios.

Another famous film that has survived the era was Edison’s 1903 production called “The Great Train Robbery”, a four minute western that was filmed in New Jersey. Buckwalter countered with two more projects: “Girls in Overalls,” filmed on location in Gunnison and “Tracked by Bloodhounds; or a Lynching at Cripple Creek”. Both features were eight minutes long, a record since most producers did not believe an audience’s attention span would allow for sitting still so long. “Tracked by Bloodhounds” was especially interesting, since it was filmed around Cripple Creek in April 1904. Like “The Great Train Robbery”, the film involved murder and a posse chase, ending in a shoot out and subsequent death of the villain. Backdrops included downtown scenes of Cripple Creek.

At the time the filming took place, the Cripple Creek District was in the throes of a violent labor war. Buckwalter and Selig saw little action while filming in April. But when professional assassin Harry Orchard blew up the train depot at the district town of Independence in June, Selig made the most of the incident. Certain advertising for the movie’s premier insinuated that the events in the film were real, and that the villain was actually a striking miner instead of the tramp that was portrayed. Newspapers across the nation, already aware of the explosion at Independence, further exploited the film in merely trying to get to the truth.

Later in 1904, Buckwalter produced another film called “Holdup of the Leadville Stage”.
This movie was actually filmed along Ute Pass and in the vicinity of Bear Creek Road.
Buckwalter managed to get the Colorado Springs Gazette to run a detailed news-like story about the “real” hold up. Only at the end of the story did the paper let readers off the hook: “The robbery was committed in broad daylight and posses immediately started in pursuit and this morning they will be photographed in moving pictures and the most exciting film ever made in the mountains of Colorado will be completed.”

By 1907 Colorado was becoming a film mecca and Buckwalter moved to Golden to shoot more films. In 1911 Selig relocated to American City, located above Central City. Three films were shot there, and at least one was sensationalized in the Gilpin County Observer as an actual bank robbery. In the fall Selig relocated again, this time to Canon City. The first Selig film shot there was “The Telltale Knife”, starring Tom Mix. From 1911 to 1914, more movies were filmed in Canon City and surrounding areas. By then, the standard movie ran about 15 minutes. Most of them used the same crew of actors,
namely Tom Mix, Joe Ryan, Josephine West, William Dunn and Myrtle Stedman.

After winning the Royal Gorge Rodeo Championship in 1909, Mix initially worked as a film technician before his wild riding and shooting stunts won him parts in the movies themselves. His first film appearance for Selig had been as a bronco buster in the documentary “Ranch Life in the Great Southwest”. In his off time, Mix worked and drank at several local watering holes. They included saloons in Hell’s Half Acre (now known as Brookside outside of Canon City), Prospect Heights (now a suburb of Canon City) and the Canon City Elk’s Lodge. Occasionally, Mix’ drinking sprees landed him in jail at Prospect Heights. In Cripple Creek, part of the district’s folklore revolves around Mix working at various bars in town, as well as performing ranch hand duties at the Crescent Ranch near Divide.

Despite Mix’ growing stardom in Canon City, attention turned to Cripple Creek once again in 1912 with the production of another silent Western called “At Cripple Creek”. Details as to the producer and location of this film are obscure. The script was written by Hal Reid and starred Wallace Reid, Sue Balfour and Gertrude Robinson. Throughout the rest of 1912, Selig continued churning out short westerns from Canon City. They included “Jim’s Vindication” about a man who is framed for robbery and flees while
trying to clear his name. Tom Mix is noticeably absent in this film, having opted not to renew his contract and moving on to Hollywood. In his stead, Selig introduced actress Myrtle Stedman, as well as actor William Duncan who wrote and produced the project. “Jim’s Vindication” was followed by two more Duncan productions, “A Ranger and His Horse” and “Buck’s Romance”. Both films starred Myrtle Stedman with Duncan as her leading man.

In 1913, a final Duncan production was released by Selig titled “Matrimonial Deluge”.
Selig eventually moved to Prescott Arizona and went on to produce several other high action packed films. Upon his departure from Canon City, the Colorado Motion Picture Company was formed by ex-Selig employees, including actors Josephine West and Joe Ryan. The Canon City Chamber of Commerce held a contest to see who could come up with the best logo for the company, with A.R. Livingston of the Empire Zinc Company and one Alva Wood taking honors. Colorado Motion Picture titles included “The Range War”, “Across the Border”, “The Hand of the Law”, and “Cycle of Destiny”. Today, only one known film survives. Ironically it is the company’s first production, “Pirates of the Plains”. Like its predecessors, “Pirates” was shot in Canon City and released in 1914.

Not to be outdone, Colorado Springs hurried to compete with Canon City’s film industry. Plans were announced in May of 1914 for the arrival of Romaine Felding, the highest paid actor/producer in the world at the time. Fielding intended to shoot some films on location, including the Hagerman Mansion which is today’s El Paso Club. Fielding remained in Colorado Springs from June through August. Whether he actually shot any footage is unknown, but his sudden departure may have been influenced by the July drowning of actress Grace McHugh and cameraman Owen Carter in the Arkansas River during the making of “Across the Border” at Canon City. While crossing the river McHugh’s horse stumbled, tossing her into the water. Carter jumped in, and the two managed to crawl onto a sandbar before the cameraman lost his footing and the couple went under once more. Their bodies were later found downstream, and it was said that McHugh’s mother won a court case against the Colorado Motion Picture Company. That was the end of film making in Canon City for the time being.

With Canon City out of the picture, so to speak, Colorado Springs filmmakers continued churning out movies. Notable is that Silver Dollar Tabor, the ill-fated daughter of silver king Horace Tabor, surfaced in town and began working as an actress for the Pike’s Peak Motion Picture Company sometime around November of 1914. The job did not last long and Silver moved on, but not before scoring a supporting actress roll in a production of “The Greater Barrier”. Filmed at Colorado College, this provocative movie about a white girl and her Indian beau addressed interracial dating and no doubt raised some eyebrows.

In the meantime, the Pike’s Peak Photoplay Company was emerging as another important Colorado Springs film company. One of their film locations was the former Heidelberg Inn in Ramona, a now defunct suburb of Colorado City. The closed up barroom was used to film a number of westerns over one summer. The building itself was razed in 1921, but movies continued to be shot in the Pikes Peak region throughout the 1920’s. In 1925 a few movie scenes were filmed for a Warner Bros. production of “The Limited Mail” around Canon City. They included footage of the Royal Gorge and even a train wreck. But the ideal location had lost its appeal for the time being, especially with the premier of “The Great K & A Train Robbery” in 1926 starring Tom Mix, Dorothy Dawn and a very young extra hired by Mix: John Wayne. Most of the scenes were shot in Glenwood Canyon, far away from Canon City.

The depression era did much to squelch movie making for about a decade. Then Tom
Mix died in a car crash near Phoenix, Arizona in 1940. But the mid-40’s found directors back in Colorado, striving to make spaghetti westerns with world wide-appeal. Productions included 1947’s “The Marshal of Cripple Creek” starring Red Ryder and 1948’s “Canon City”, starring Charles Bronson and based on the actual escape of 12 inmates from the Colorado State Penitentiary. When the crews left, a local man named Karol Smith established the Canon City Motion Picture Committee and produced a location manual to be sent to Hollywood producers. The ploy worked. In 1950, the first film to premier in Canon City’s new film era was “Vengeance Valley” with Burt Lancaster and Slim Pickens. “Vengeance” was followed by “The Denver and Rio Grande”. In 1952 another movie, “Cripple Creek”, premiered. While the fictional film was not shot on location, it does mention Victor and Goldfield. The tagline capitalized on Cripple Creek’s bygone mining era, declaring “For every man who struck gold—hundreds tried to take it away from him!” The plot was complete with shoot outs and fist fights to give it authentic western flavor.

In 1953 yet another film, “The Outcast” with John Derek, was filmed at Canon City. This
was followed by 1954’s “Big House USA”. In 1958, Karol Smith assisted in creating Buckskin Joe, a museum-quality assemblage of historic buildings from around the state (including one from Cripple Creek). The historic setting has continually provided an excellent backdrop for such westerns as “Cat Ballou” with Jane Fonda, “Boom Town” with Clark Gable, “Misfits” with Marilyn Monroe and Clark Gable, “The Last Round Up” with Gene Autrey, “The Cowboys” and “True Grit” with John Wayne, “The Dutchess and the Dirtwater Fox” with Goldie Hawn, “White Buffalo”, “The Sacketts”, “Conagher” with Sam Elliot and Kathrine Ross and “Lightening Jack.” The closing of Buckskin Joe in 2010 truly signified the end of Colorado’s frontier film-making era, but you can read about movies made in the Centennial State between now and then by clicking here.

The Queen Throws a Tantrum: Queen Palmer’s Trip Up Ute Pass

c 2021 by Jan MacKell Collins

It was an understatement to say Queen Palmer was a picky wife.

The genteel daughter of New York attorney William P. Mellen, Queen’s refined and comfortable upbringing was hardly compatible with the raw reality of living in the west. Her disdain wasn’t without reason, for her grandparents and an uncle had been killed by Natives. Beyond that horrifying story, Queen knew relatively little about the wild frontier far from her comfortable station back East.

Then in 1869, Queen met one of her father’s colleagues, General William Jackson Palmer. One look at soft spoken, doe-eyed Queen, and it was all over for Palmer. The esteemed entrepreneur talked about Colorado Territory, a new land of opportunity that was already bustling with life, mining camps and the chance to make lots of money. Palmer told Queen of his gift for making dreams come true, and soon asked for her hand. The two of them could then embark on this magical journey together.

Queen was ambivalent. The proposal coincided with the sealing of a business deal between her fiancé and her father, but it also meant leaving everything and everyone she knew for a harsh, barren land. The refined debutante was accustomed to getting what she wanted: “bacon for breakfast—fried thin!”, according to her diary. She adored operas and shopping. Lucky for the lady, Palmer took her lifestyle into careful consideration. Believing a beautiful, elite “Saratoga of the West” resort town would best suit Queen’s desires, Palmer established Colorado Springs for his high maintenance bride.

The couple were married in New York in November of 1870 and embarked on a honeymoon cruise to Europe. Palmer had business affairs to attend to and made the trip somewhat of a working vacation. If only he had chanced a peek at Queen’s diary of the journey, where already the new bride was tiring of her husband’s business endeavors. “In the evening Will dined with Mr. Speyer,” she revealed in one entry. “Queen remained at home and played Bezique.” Comments about the pending move to the base of Pikes Peak are curiously absent from the journal.

Upon returning to the states, Queen stayed in New York and prepared for the move, while Palmer went on to Colorado Springs. He meant to make things as comfortable and stylish for his bride as he could, but the harsh reality was, the fledgling city looked like a bleak dot on a treeless prairie as it cowered under mighty Cheyenne Mountain and the unforgiving Pikes Peak. How he hoped to make the high prairie more attractive is anyone’s guess, but he failed miserably. Worse yet, just a few miles west was Colorado City, a wild and woolly supply town that only grew more raucous as Palmer’s plans were announced.

Upon her arrival in October of 1871, Queen had to be less than impressed with Colorado Springs. Her dismay grew as she spent the first six months bouncing between a hayloft and a tent for a house. Palmer lost no time in showing her Queen’s Canyon, a beautiful and wild oasis against the hills far west of town. He was building his bride a house, christened Glen Eyrie, with the promise that it would offer the most modern amenities. Outside, he promised, the couple could enjoy the crisp, pine-scented air and view millions of stars at night.

The house was finished at last, and the Palmers moved in. But for stately Queen, the house seemed small and ordinary, nothing like the luxurious apartments and suites she was used to. The air was too dry, the nights too cold, and winter snows could be severe in the canyon. The words exchanged between husband and wife are lost to history, but Palmer eventually planned, and built, a magnificently modern castle at Glen Eyrie that could “stand for a thousand years”, according to him. Until it was completed, however, Queen could only wait in anguished anticipation.

As she waited for her grand castle to be built, Queen tried to adjust to western living. She started a school, but gave it up after a month due to the unruly children. With little else to do, she began taking an interest in the development of Colorado Springs. Local legend claims that it was Queen Palmer who stipulated the streets must be wide enough to turn a carriage around, and that their names should reflect Palmer’s career and western geography.

Both of the Palmers also agreed that no liquor would be sold within the city limits. The decree did much for the liquid economy of Colorado City and its saloons, gambling dens and bawdy houses. There were plenty of respectable, hard-working residents too, but Queen saw Colorado City as a besotted eyesore. Neither she nor her husband intended to let Colorado Springs follow in its footsteps. It is said that even today, the old property deeds declare that any property formerly belonging to the Palmers is to immediately revert to the family heirs if ever liquor is publicly sold within its boundaries.

It was the best Queen could do. Despite friendships with other wealthy easterners, Colorado Springs was not the kingdom Queen wanted. Everything was boring, and the dry high altitude bothered her. The primitive roads were bumpy and dusty and the weather was too unpredictable. There were snakes and the Natives frightened her. Even the command appearance of the Mellen family cook from back home did little to console Queen. Her only entertainment, it seemed, was singing at various social functions and attending teas and luncheons. When she became pregnant with her first daughter in 1872, she staunchly returned to New York to give birth in a more modern facility.

One day Palmer, in another of many attempts to break the monotony of Queen’s life, offered to take his bride to the Manitou Park Hotel above Woodland Park. The elite lodge was built by Palmer and his associate, Dr. William Bell, in 1873. At the time, the Manitou Park Hotel reflected the finest in western living, with lots of eastern influence. There were approximately 60 rooms, a ballroom, bowling alley, billiards parlor, an outdoor pavilion, stables, carriage houses, a blacksmith shop, a golf course and tennis courts. These amenities were described in detail by Palmer in order to lure his bride up Ute Pass. The ploy worked.

It was a beautiful day as the couple set out for the hotel in an open carriage. The ride up Ute Pass however, was bound to take awhile in a day when 20 miles was a real stretch for a wagon. Plus, the pass at the time was still a mere trail and not necessarily conducive to travel by a well-heeled couple. Surely Queen felt more than one jar as the carriage made its way over the bumpy passage.

Then, halfway up the pass, one of Colorado’s famous Chinook winds came storming down a canyon. A whirlwind of dust blew over Palmer’s carriage, covering the couple in a hail of eye-watering dirt.

That tore it for Queen. The only words she uttered—in a dangerously low undertone—were for Palmer to stop the carriage. Then she quickly disembarked and headed for the nearest cluster of bushes which were actually some distance away. There, Queen disappeared for several minutes. Upon returning, no doubt a bit sweaty and out of lung capacity, Queen explained to her perplexed husband what had transpired. “I made the best use of my rest. I was in a furious passion as if the wind were a person, so I lay kicking and screaming as if I were crazy.”

Following Queen’s infamous fit, Palmer toiled even more to make her life more comfortable. Queen managed to remain in Colorado for the birth of her second daughter in 1880. A short time later, however, she suffered a mild heart attack during a visit to Leadville. It was a warning of things to come. It was now clear that Queen not only had no use for the barren land of Colorado Springs, but also that she was ill. She began taking trips back east and to England as her visits to Colorado Springs became more and more sporadic. Queen was visiting England regularly by the time she had her third and last daughter in 1881.

William Palmer, who had been steadily working to raise a first-class city from the ground, was helpless. Although he did finish the grand castle at Glen Eyrie and outfitted it with as many modern amenities as he could, he could hardly convince his wife to stay there much. Ultimately Queen moved to England for good, where she died of heart disease in December of 1894 at the young age of 44. General Palmer was left to live out his lonely life at Glen Eyrie. An unexpected spill from his horse in 1906 paralyzed him and required installing a custom-made waterbed created from animal skins. Palmer died in his sleep in1909 and was buried at Evergreen Cemetery. Possibly against Queen’s wishes, her ashes were disinterred in England and placed beside Palmer’s in 1910.

A number of landmarks remain in Colorado Springs as a testament to Palmer’s influence on his own brainchild. The most prominent of these is a statue of him on his horse which resides majestically right in the middle of the intersection at Nevada and Platte Avenues, much to the chagrin of motorists who must maneuver around it. Glen Eyrie is now owned by The Navigators, a national Christian organization. They do host Victorian teas at the castle, which would probably please Queen. Overall, however, she would probably be glad to know her name appears very little beside that of her husband except in history annals. In a way, her absence is her final word on Palmer and his silly Saratoga of the West.

Brothels, Bordellos & Bad Girls: Chapter 4

c 2020 by Jan MacKell Collins

The following is excerpted from Brothels, Bordellos & Bad Girls: Prostitution in Colorado 1860-1930 (University of New Mexico Press, 2003). Click here to order: https://www.unmpress.com/books/brothels-bordellos-and-bad-girls/9780826333438

Chapter Four: How Colorado City Came to Be

All About Rahab

Of Jerico’s Rahab, we’ve read the report

That she made her living with amorous sport,

She concealed on her roof both of Joshua’s spies—

(Is it possible they became clientele guys?)

Down a rope of red drapes, they fled from her shack;

Then to their camp, they sneaked their way back.

To Joshua they said: “We got some good dope;

But we cut a deal that you’ll honor, we hop.

You see, there’s this bimbo who hid us at night;

Please keep her household safe from the fight.

She’ll hang a red curtain right on her wall;

Our boys must not mess with that whorelady’s hall!”

So her signal was honored—fortuitous drape!

And Joshua’s rowdies went elsewhere to rape.

Now that is the reason, to this very day

Crimson curtains are hung where hookers do play.

~ Charles F. Anderson

The Pikes Peak Gold Rush of 1859 created a stir not just in Denver, but in other parts of the state as well. Hundreds of prospectors and merchants were making their way to the gold fields on the western slope of Colorado, often encountering angry Native Americans in their quests. The trails south of Denver included Ute Pass, an ancient Indian trail that skirted the base of Pikes Peak near today’s Colorado Springs. Prospectors J.B. Kennedy, Dr. J.L. Shank and D. M. Slaughter, the first men to stake claims in South Park, were later killed by Indians near Kenosha Pass. Even as late as 1869, Major James B. Thompson noted 200 Utes who had a winter hunting camp near today’s Cripple Creek. Throughout the winter of 1874-75, Ute leader Ouray camped near Florissant with 600 other Utes.

Despite a few skirmishes with Indians, however, white settlers continued migrating into the Pikes Peak Region. The trail from Colorado City actually began at the opening to several canyons comprising Ute Pass, and it wasn’t long before a town formed to furnish supplies for travelers heading West via the pass. When it was first established in 1859, Colorado City was every bit a notoriously rough western town. Long before Colorado Springs came along with its anti-liquor laws and elite citizenship, Colorado City sprouted as a thriving supply town. The place was a virtual melting pot for easterners who swarmed the state in search of gold. All the required elements were present: ramshackle houses, churches, a school, hotels and saloons. The first tavern was opened in 1860 by John George. Accordingly, Colorado City’s population grew to include enterprising merchants, faithful families, hopeful miners—and prostitutes. There is no doubt that the soiled doves who flocked to Colorado City saw golden opportunities. Trains and freighters stopped daily on their way to the gold fields, initially bringing lots of single and lonely men. In those early days, the business was hardly regulated and these women had the freedom to work and live where they chose.

In 1861 Colorado City was made the capitol of Colorado Territory. A series of courthouses were built in an effort to turn Colorado City from a blue collar, transient town to a first class city. The most notable of these was a courthouse located inside of what was known as Doc Garvin’s cabin. The tiny, one-story log cabin was originally located at 2608 West Colorado Avenue, but has been moved several times in the last century. Colorado City aspired to become the state capitol, but its efforts were in vain. Visiting politicians were less than impressed with the rough and wild city. The capitol was moved to Denver, and in 1873 the new, elite, and ostentatious city of Colorado Springs managed to win the county seat. Founded by Quaker William Jackson Palmer, Colorado Springs sought to be the “Saratoga of the West” with fancy homes, nice hotels and a variety of tuberculosis sanitariums that were all the rage among suffering easterners. Furthermore, Palmer’s wife, Queen, talked her husband into outlawing liquor houses within in the city limits. It stood to reason, then, that Colorado City should excel where Colorado Springs did not. A variety of activities, from prize fighting to prostitution to drinking to dancing, went on at all hours around what is now the 2500 block of Colorado Avenue.

In fact, much of Colorado City’s new commerce was generated by Colorado Springs. Although residents and authorities in Colorado Springs frowned on Colorado City, many of the former’s residents were regular patrons of “Old Town”, whose saloons and sporting houses were quickly growing in number. Do-gooders in Colorado Springs tried to blame the Colorado Midland Railroad for bringing in undesirables and encouraging the saloons, parlor houses and Chinese opium dens in Colorado City. But the fact was, Colorado City already had these elements long before the railroad came through in the 1880’s. Plus, the town was sandwiched between Colorado Springs and Manitou Springs, so passage through Colorado City was absolutely necessary in order to access Ute Pass.

In an effort to mask the activities of Colorado Springs and Colorado City’s more prominent citizens, tunnels were built from the Denver & Rio Grande Railroad tracks south of Washington (now Cucharras Street) which led to the gambling houses and brothels of Colorado City. Later, tunnels were also built from the north side of Colorado Avenue to the south side, so visitors to the casinos and bordellos could avoid being seen. From south side gambling houses like Jacob Schmidt’s at 2611 W. Colorado, the Argyle Block and Geising & Perbula’s Saloon, patrons like “Eat ‘Em Up Jake” could slip out the back way and through a tunnel or a discreet hallway to the bordellos across the alley.

Oddly, the first 25 years of Colorado City’s growth are rather obscure. The 1879 city directory shows a mere 99 entries, perhaps due to the transient population. By 1880 Colorado Springs was fairly booming, but Colorado City was still not much more than a village with a few streets and no visible red-light district. That’s not to say that some women did not ply their trade in the city limits, especially in 1884 when the population surged to 400 souls. That year, there were four known saloons operated by Henry Coby, Al Green, John Keller and Charlie Roberts.

By 1886, saloon owners included N. Byron Hames with his Hoffman House, Alfred Green, Dave Rees of the Windsor Café, John Keller whose Ash Saloon also served as a general store, Charles Roberts, John Rohman, Jack Wade and Larry Watts. In all, there were twelve to sixteen saloons. There were also two justice’s of the peace who were apparently trying to gain some sort of order in rowdy little Old Town. One of the earliest attempts to close down gambling was noted in the November 26, 1887 issue of the Colorado Springs Gazette Telegraph, which unaccountably reported, “The gambling houses of Colorado City have re-opened and are now running full blast.”

Apparently, city authorities had already attempted unsuccessfully to shut gambling down. With all those saloons, more than a few prostitutes were surely present as well. One of the first prostitutes on record at Colorado City was probably Mrs. Isabelle Semple, who resided on Washington Avenue in 1886. Isabelle died in 1901. A more famous early madam was Minnie Smith, a.k.a. Lou Eaton, a sometime gambler and madam who was well known throughout Colorado including Buena Vista, Creede and Denver’s Market Street, where she was known as both Lou Eaton and Dirty Alice. In Colorado City Minnie purchased a large old two story house on the south side of Colorado Avenue. She was in her mid-thirties at the time and described as “a slender little woman, not good looking and a vixen when aroused.” Vixen was right; Minnie was well-known for her terrible temper and was in trouble a lot during her short stay in Colorado City. Once she was brought in on charges of nearly beating a lawyer to death with the butt of a gun, and early magazines sported engravings of her horsewhipping a man she caught cheating at cards.

By 1888, the number of saloons in Colorado City had grown to twenty-three, and included those run by such notable operators as T.R. Lorimer, Henry Coby, Byron Hames and Alfred Green. A glassworks factory at Wheeler and 25th Street manufactured local liquor bottles. The population had swelled to fifteen hundred, mostly due to industry growth as the Colorado Midland Railroad took root and a number of factories appeared. Nearly thirty years after Colorado City’s inception, the city fathers finally decided it was time to create such necessities as a police department and appointed city positions. Police Magistrate Renssolear Smith oversaw the first of two city halls, which was built at 2902 West Colorado Avenue. By then shootouts, drunken brawls and “good ol’ boy” fights had become common sights, and horse racing up and down Colorado Avenue was a popular pastime.

In the midst of this uproar, a number of single women were living on Colorado Avenue. Many of their occupations are unclear but for that of Mrs. Bell McDaniel, better known as Laura Bell McDaniel. Within a year of her arrival, the enterprising woman had access to twenty-four saloons and only a handful of competitors. Laura Bell’s sisters of the underworld included Miss Belle Barlow, Miss Daisy Bell, Miss Fernie Brooks, Mamie Maddern, Emma Wilson and Hazy Maizie, a laudanum addict. In those early days of rampant prostitution at Colorado City, most of the women seem to have plied their trade along Colorado Avenue. When the Argyle block at 2603-2607 West Colorado was built in 1889, the downstairs was used as a saloon with gaming rooms and retail establishments. Mr. Connell, the original owner, later sold the building and the upstairs was divided into apartments and used by prostitutes.

As late as 1890, women such as Minnie Smith were still conducting business on Colorado Avenue. A number of single women such as Miss Lizzie Thompson, Miss Kate Herzog, Miss Edna Ingraham, Mary Dean, Fannie E. Eubanks, M.J. Duffield, J. Erlinger, Miss M.H. Richards and Daisy Johnson however, began appearing on Washington Avenue one block south of Colorado as well. The 1890 Sanborn Maps do not show any “female boarding” on either Washington or the main drag, Colorado Avenue. A number of saloons on Colorado, however, are depicted as having rooms above them or behind them which might have served as brothels. Most conveniently, the Denver & Rio Grande Railroad had by then laid its tracks down Washington Avenue, providing much opportunity for prostitutes to do business with male travelers passing through town.

In addition, Sanborn Fire Insurance Maps for 1892 show “female boarding”—the early term for female-occupied brothels—in two buildings each on the north and south sides of Washington Avenue between 1st and 2nd Streets. Two other notable women on Washington, a physician named Mrs. N. Albrecht and a “colored” woman named Mrs. Conrad Alesatha, are worth mentioning because they too may have had something to do with the red-light district. Other girls, such as Miss Fernie Brooks, were living yet another block south on Grand Avenue.

The new Police Magistrate, J.J. Guth, was by now hearing a series of complaints from citizens about the growing red-light population. In late January 1890, the Colorado City Iris commented on saloon owner Byron Hames, who made a speech on behalf of prostitutes at a mass meeting. In the wake of Hames’ speech, police responded by conducting raids in May. One arrestee was Mamie Maddern, who was operating out of a shack. Police arrested Mamie and several men. One of the men, Fred Thornton, later returned and, according to the newspaper, began to “frolic with Mamie.” Customer Henry Pettis objected to this and shot at Thornton three times, hitting him twice.

In 1891 there were finally enough established brothels in Colorado City to merit a listing in the city directory. The six bordellos were discreetly listed as boarding houses, and the directory also listed 21 saloons. One of the taverns was the Palace at 25th Street and Colorado Avenue which listed Frank James, brother of Jessie James, as a card dealer. Frank was no stranger to the red-light districts of Colorado, having been written up in the Boulder County Herald in 1882 for brandishing a revolver in a Boulder bordello and making threats. After frightening several working girls, James was arrested and hauled to the cooler to rethink his actions. Other notable places in Colorado City included Byron Hames’ Hoffman House at 2508 Colorado Avenue, the Nickel Plate at 2528 Colorado Avenue, the Bucket of Blood located along Fountain Creek at 25th Street, and the Silver State at 2602 Colorado Avenue. Nearly every saloon in Colorado City stayed open twenty-four hours a day and usually had gambling upstairs.

The city authorities were no doubt up in arms over so many saloons and the disgraceful lack of decorum they displayed. Both the saloons and the brothels were quickly escalating out of control. In January of 1891 a girl named Clara who worked for Laura Bell McDaniel attempted suicide by taking eight grams of morphine. The newspaper predicted she would die, although she was being attended to by a physician. Little else was revealed about Clara, except that she had recently migrated from Denver and wore eye glasses.

Later that month, Minnie Smith made a trip to Denver under her pseudonym, Dirty Alice. She was arrested on the 24th for intoxication and released on the condition she would come right back and pay her fine. Instead Minnie disappeared and was thought to have gone to Creede, where she used her money from Colorado City to open a well-known sporting house. Then in May banjo player William Clark of the Crystal Palace went on a drinking spree. When he couldn’t sleep, Clark took some morphine and overdosed. The physician called to his side misdiagnosed his malady as a “brain infection” and administered even more morphine. Clark died at the tender age of thirty.

The Crystal Palace was no doubt a rough place. The dance hall and brothel probably opened in about 1889 when Bob Ford, the killer of Jessie James, was dealing faro there. If the stories of both Bob Ford and Jesse James’s brother Frank James working there at different times are true, they are mighty ironic stories indeed. By May of 1890 it was also known as the Crystal Palace Theater. Later, it was also referred to as simply The Palace. On April 20, 1892, the Colorado City Iris reported on one Ed Andress, proprietor of the Crystal Palace. Andress was arrested for being drunk and disorderly and fined $10 and costs. Unable to pay the entire fine in cash, Andress threw in his watch. He was arrested again the next day for running a disorderly house. This time the fine was $58.05 and Andress lost his license.

Later that year city authorities decided to exercise more control over the red-light district by building a new city hall at 119 South 26th Street, literally around the corner from the district. By then the sporting houses on Washington were so active that the original courthouse, four blocks away, was too far for the frequent police trips. Colorado City authorities realized that the city could make more money from fining brothels each month than it could by closing them. Accordingly, the city assessed fines for a variety of violations regarding prostitution, and began reeling the money in with a vengeance.

Still, arresting sinners proved a difficult job for Colorado City authorities. Many of the early town trustees and officers were saloon owners themselves. To make matters worse, most prostitutes had no problem paying a little ol’ fine if it meant they could stay in business. The surge in prostitution at Colorado City during the 1890’s alarmed city officials, as well as the media. The Colorado Springs Gazette pounced on every chance to report on the goings-on in the district. When Bell Barker died of a morphine overdose in 1893, the paper reported that her Colorado City friends buried her “in good style”, but that Billie Huffman, “the tin horn who was living with her” left the country.

Similar sentiments were expressed about Minnie Smith. After Colorado City, Minnie had gone to Creede and then Cripple Creek. There, she allegedly ran a rooming house that was actually a parlor house over a saloon on Bennett Avenue. Unfortunately, forty-five-year-old Minnie was not distinguished enough for Cripple Creek, and the competition proved too tough for her. When Minnie committed suicide with morphine in Cripple Creek in 1893 or 1894, her body was brought back to Colorado City for burial. Minnie was actually buried in Evergreen Cemetery beside her first husband, Royster Smith. Allegedly Minnie’s grave mate on her other side was Bruce Younger of the Younger Gang. When Bruce sickened and died “an ugly death” in1890, the under world of Colorado City paid for his funeral and gave him the plot next to the Smiths. No records of these burials appear to exist. Minnie also left a considerable estate, but what became of it is unknown.

Drug overdoses, both intentional and accidental, were not at all unusual. In November another Crystal Palace employee, Oscar Bills, died from smoking opium. A Chinaman known as Kim Yonk was arrested in connection with the death because Bills had recently visited his opium den. Around the same time Miss Remee, a “variety artist” at the Crystal Palace, took morphine in a suicide attempt. She was saved, but threatened to do it again. Finally, in January of 1894, a dance hall girl from the Crystal Palace was arrested for robbery and thrown in jail. Authorities had had enough and ordered the place closed, and proprietor C.N. Hamlin was fined $55 for keeping a disorderly house. Hamlin married one of his girls, Mrs. Hazel Levitt, just a few months later.

The Women’s Christian Temperance Union, better known as the WCTU, was waiting for chances such as the closing of the Crystal Palace. In 1894, the WCTU submitted a petition to impose hours of operation on all saloons, bowling alleys, halls and “other resorts”. Only one-hundred-fifty-two people signed the petition, but city authorities had just begun. A widely publicized raid in 1896 was followed by a series of new ordinances: “Keepers of disorderly houses shall not refuse to admit officers. Officers may break doors and arrest with or without warrant.” Getting caught in the act of prostitution was a $300 fine, with additional punishments for frequenting opium joints, houses of prostitution, or dance halls. Furthermore, music was not even permitted at houses of ill fame or saloons.

The new ordinances went into effect almost immediately, but a raid in February netted only two girls and their visitors. In April of 1896, another police raid netted thirty-three arrests, plus two vagrants who stole a pair of clippers from a local barbershop. But still the girls came, and many stayed. Both Ida Anderson and Mary Franklin moved to Colorado City in 1896, staying as late as 1900 and 1906, respectively. Colorado City reacted to the influx of newcomers by passing even more new ordinances as misdemeanor offenses. They included laws against impersonating an officer, concealing weapons, nudity, indecent dress, cross-dressing, selling lewd or indecent books or pictures, public or private drunkenness, keno tables, faro banks, shuffle boards, playing bagatelle or cards, gambling, possessing gambling devices, and disorderly houses.

Also within the new ordinances houses of ill fame were banned within three miles of the city limits. Houses of prostitution who violated the ordinance were fined $300. Prostitutes were fined $10-50. Dance halls were assessed a $25-$100 fine. A new curfew was also imposed: 9 p.m. from March 1 to August 31 and 8 p.m. from September 1 to February 28 for anyone under the age of fifteen. Saloons, which were also still forbidden to play music, were not allowed to admit minors. Finally, saloons, tippling houses and dram shops were to be closed from midnight to 6 a.m., and all day on Sundays. For a few years the new ordinances seemed to work, although Sanborn Maps indicate the presence of more brothels on Washington Avenue and twenty-two saloons along Colorado Avenue.

Chief of Police George G. Birdsall, who was appointed in 1900, vowed that things would change. One of Birdsall’s first moves was to prohibit gambling in 1901. But by then, the shady ladies of Colorado City were running amuck, aided by such prominent establishments in the district as the Anheuser-Busch Brewing Association at the southwest corner of 6th Street and Washington . Throughout the year, more and more girls showed up to ply their trade. Some left, some didn’t. Business flourished as even more saloons and gambling halls opened. Even girls like Georgia Hayden, who had been in Cripple Creek since 1893 and was a favorite of mining millionaire Jimmy Burns, came to try their luck. Among the new girls were veterans like Laura Bell and Mamie Majors. By 1902 there were still twenty-seven saloons and more than thirty combined saloons and gambling halls. In addition, a large number of “dressmakers” and other single women were occupying either side of the red-light district on Washington Avenue. The brothels along Washington included the Union Hotel at 708 Washington, the Central Hotel at the northwest corner of Washington & 6th Street, and eight houses in the 600 block. Prostitution was going strong in Colorado City.

Good Time Girls of Colorado: A Red-Light History of the Centennial State

c 2019 by Jan MacKell Collins

A quick note about this book: expanding on the research I have done for Brothels, Bordellos & Bad Girls: Prostitution in Colorado 1860-1930 (University of New Mexico Press, 2004) and Red Light Women of the Rocky Mountains (University of New Mexico Press, 2009 – out of print), presented here are some notable shady ladies like Mattie Silks, Jennie Rogers, Laura Evens and others. Also included however, are some ladies seldom written about: French Blanche LeCoq, Lou Bunch and Laura Bell McDaniel (whom I was pleased to first introduce to the world clear back in 1999).

Why do I write about historical prostitution? Because I believe that these women made numerous unseen, unappreciated contributions to the growth of the American West. They paid for fines, fees, business licenses and liquor licenses in their towns. They shopped local, buying their clothing, furniture, food, jewelry, medicine and other needed items from local merchants. These women were often angels of mercy, donating to the poor, helping the needy, and making or procuring sizeable donations for churches, schools and other organizations. Many took care of their customers when they were sick, or sometimes when they became elderly.

Hollywood and the general public like to laugh at and shame women of the night for selling sex for a living. In reality, these women often turned to prostitution as the only viable way to make enough money to survive. Theirs was one of the most dangerous professions of the time, the threat of devastating depression, domestic violence, disease, pregnancy and often subsequent abortion, and alcohol or drug related issues being very real issues the ladies faced daily.

I hope you enjoy reading this book as much as I enjoyed writing it and furthering the truth about our good time girls from the past. You can order it here: https://rowman.com/ISBN/9781493038060/Good-Time-Girls-of-Colorado-A-Red-Light-History-of-the-Centennial-State

Colorado City, Colorado: Gateway to the Goldfields

c 2019 by Jan MacKell Collins

Portions of this article have appeared in the Colorado Gambler magazine and the Ute Pass Vacation Guide

In 1859, the rough and tumble town of Colorado City debuted as the portal to Ute Pass, next to what would eventully become Colorado Springs, Colorado. The pass was an ancient Indian trail skirting up the north base of Pikes Peak and on to the gold fields on the western side of the state. As  more travelers utilized the pass in their quest for gold, Colorado City grew in the form of stick‑built shacks and log cabins. Later, fine stone and brick structures would mingle with tidy wood bungalows and impressive Victorian homes.

Everything a prospector could want was available in Colorado City, including mining supplies, pack mules, grub and grog. There were also a variety of vices, from drinking and dining to poker and prostitution. Local merchants made a tidy profit on the transient population, which flowed constantly in and out of town.

When Colorado Springs was platted in 1872, liquor was banned within its city limits. Then in 1878, Manitou Springs formed to the west. Colorado City, nestled snugly between the two resort towns, prospered: not only as a “sin city” but as a blue collar town as well. A number of railroad workers were employed by the Colorado Midland Railroad. Local mills, namely the Golden Cycle Mill, processed gold ore shipped by train from teh famed Cripple Creek District on the back side of Pikes Peak, and other area mines. The city became a mesh of church‑going families, would‑be prospectors, wild folk and nomads.

Look down Colorado Avenue today and it is easy to envision a Colorado City of the past. Horse races and shoot outs took place on the dirt streets with alarming frequency. Wagons and horses sent pedestrians scurrying as the street bustled with life. The old buildings sported every business house imaginable, and the shouts of street hawkers mingled with the bawdy music flowing from the saloons.

Upwards of 24 taverns once lined the south side of Colorado Avenue. Many of them connected via underground tunnels to the respectable businesses on the north side of the street. In back of the saloons, madams like Laura Bell McDaniel, Mamie Majors and Nellie White were the reigning pleasure queens. The houses of “ill fame” spanned four blocks on Cucharras St. The lawmen and temperance unions of Colorado City levied their own public war against the shameful nightlife, but it was sometimes a losing battle. When the city outlawed liquor, some of the saloon owners and prostitutes started their own town, Ramona, outside the city limits.

On the north side of town, churches, lodges, meeting halls and more respectable social places mingled among the quaint homes and upstanding citizens of the town. Still, there were some real characters adding much color to Colorado City. Prairie Dog O’Byrne’s taxi wagon held a cage with a pet prairie dog inside and was pulled by two tame elk. Judge Baldwin was an honorary judge who was known for his love of libations. Anthony Bott, a founder of the town, also made a name for himself in the Cripple Creek District. Dusty McCarty was a blinded miner who honed his skills at bartending and was the best source of where to go and what to do in town. Bob Ford, the killer of Jesse James, dealt faro in Colorado City before going off to Creede and getting killed.

In 1917 Colorado City was annexed to Colorado Springs, and Colorado City’s wild days ended. Since that time, the city has evolved into an historic section of the Pikes Peak region with a variety of novelty  shops, boutiques and eateries. Neighborhood tours reveal an outstanding array of unique architectural designs, including a few pre-manufactured homes that were literally purchased from catalogs—in essence, the first modular homes in the state.

The Old Colorado City History Center at 1 South 24th Street houses a museum with photographs and hundreds of artifacts outlining Colorado City’s wild and woolly past. To see historic Colorado City on the way to Cripple Creek, take Highway 24 west at Colorado Springs and turn right at 21st Street. For more information, call the Old Colorado History Center at 719-636-1225 or the Old Colorado City Associates at 719-577-4112.

Pikes Peak, America’s Mountain

c 2019 by Jan MacKell Collins

Portions of this article originally appeared in the Ute Pass Vacation Guide and The Colorado Gambler magazine.

Significant in history and world-reknowned, Pikes Peak is honored as one of the best-known landmarks in America. For centuries, the mountain looming above Colorado Springs has served as a vantage point from all directions across the state and beyond. The unmistakable landmark first guided the Indians, then the fur trappers, and later the white men who inhabit the areas around it now. In 1802, Pike’s Peak was part of the Louisiana Purchase.

When the famous explorer Zebulon Pike determined to scale the peak in 1806, his efforts were somewhat ridiculous by today’s standards. Naming the mountain Grand Peak, Pike denounced it as unclimbable and reaching a height of 18,581 feet. Had Pike chosen a better time of year (he was there in November), better clothing and a better grasp of the peak’s actual altitude of 14,110 feet, he probably would have made it to the summit. Instead, Pike had to be content with being the first white man to note the mountain on maps.

Between 1806 and 1820, the peak was alternately referred to as Grand Peak and Highest Peak. Many historians credit Major Stephen H. Long as the first white man to climb the mountain in the latter year. However, even Long gave the honor to Dr. Edwin James, himself an historian with the expedition. In reality, James was accompanied by Long and two others on the journey. Apparently, because James was first to actually set foot on the summit, Long named the mountain James Peak.

Over the next twenty years, the name of James Peak was gradually replaced with Pikes Peak. Lt. John C. Fremont sealed the official name in his travel logs. By the 1850’s, everyone seemed Pikes Peak-bound as gold booms began all over Colorado. Clothing and supply stores back east manufactured items bearing the Pike’s Peak label. Guidebooks and maps were in abundance, all describing the best ways to reach Pikes Peak country and what the traveler might find upon arrival.

As Colorado launched into its gold boom era, Julia Archibald Holmes became the first white woman to scale the peak. In 1858, Holmes, her husband John and four others from Kansas included the peak in their sight-seeing tour while prospecting for gold. So wide-spread was the quest for gold that even Denver was included in the “Pikes Peak or Bust” rush of 1859.

As thousands of miners flocked to the rocky mountains to seek their fortunes, their trek was aptly titled the Great Pikes Peak Gold Rush. The spirit of those first pioneers who sacrificed their homes and even their families to find Pikes Peak was an inspiration to others. Because of them, millions of people found the courage to come west and settle in new territory. The sight of Pikes Peak, even hundreds of miles in the distance, gave them hope. Many of those pioneers wound up at Colorado City, a supply town established at the base of the peak near Ute Pass.

When Colorado Springs sprang to life in 1871, a popular pastime was to scale the peak. A U.S. Signal Corps station, constructed from rocks, was used as a weather station. Later abandoned, the building eventually became a tourist hotel. The number of tourists to the summit escalated in 1873 with a mild gold strike on the eastern slopes. The strike turned out to be a hoax, however.

As it was, hoaxes and jokes upon the unsuspecting public seemed to be running rampant through Colorado about this time. Other such mischief included the 1876 “death” of a non-existent baby named Erin O’Keefe. One John O’Keefe claimed his infant daughter had been consumed by mountain rats atop the peak. A realistic photograph showed Erin’s grave surrounded by several mourners. Tourists flocked to the burial site to see the grave and leave trinkets before the hoax was revealed.

For the next several years, Pikes Peak gained even more notoriety. In 1884 a route was established for a railway to the summit, but was abandoned. A few years later, Dr. A.G. Lewis homesteaded 160 acres at the summit. Amazingly, Lewis was able to grow a few crops as required by the 1862 Homestead Act. Lewis’ intent was to build a tourist trap illustrating his crops. A carriage road was built in anticipation for the new business.

Unfortunately for Lewis, railroad pioneer David H. Moffat succeeded in acquiring a 99-year lease on just five acres of the summit. Lewis lost his claim in court, and a cog railway began daily excursions to the top of Pikes Peak beginning in 1891. Viewed as one of the most scenic rides in America, the train ran a distance of 8.9 miles, climbing 7,518 feet (the Pikes Peak Cog Railroad is currently closed for needed renovations, but will be open again next year). A daily guide was given to passengers, listing visitors of the day before and expounding on other interesting sites in the region.

The same year as the premier of the cog railway, the Cripple Creek District on the backside of Pikes Peak experienced the last, and one of the largest, gold booms in Colorado’s history. Numerous trails were established and there was talk of building a road to the top of Pikes Peak from the Cripple Creek side. The closest anyone came, however, was at Seven Lakes, which had opened as a resort quite some years before some seven miles below the summit.

The peak gained further popularity in 1895 when Katharine Lee Bates, a professor at Colorado College in Colorado Springs, published the anthem “America The Beautiful”. The song was based on her visit to the peak two years earlier. More and more travelers made the summit of Pikes Peak a destination spot. In fact, one might say that in the rush to see Pikes Peak, people began turning it into a race of sorts. Excursions of all kinds, from wildflower-picking expeditions to hiking trips to the first wedding in 1905, were the popular mode of the day.

There were tragedies here and there: In August of 1911, Mr. and Mrs. William A. Skinner learned a hard lesson about the perils of hiking unprepared on Pike’s Peak. Ignoring the advice of guides and the editor of the Pike’s Peak Daily News, Mrs. Skinner insisted on setting out for the summit late in the afternoon. Snow clouds looming on the horizon were soon hovering over the couple, who were poorly dressed for the trek and already tuckered out. After a two-foot snowfall during the night, the couple was found frozen to death about two miles below the summit the next day.

The unfortunate fate of the Skinners hardly stopped other hikers, or drivers. In 1916, the Pikes Peak Automobile Company opened the toll road to the summit. An annual hill climb was also established, which steadily gained world fame. The Pikes Peak Auto Hill Climb is now called the Pikes Peak International Hlil Climb and takes place each year. The event draws thousands, not to mention some very famous participants.

Other innovative news about Pikes Peak came in 1918 with the opening of Barr Trail. Built by Fred Barr, the trail took four years to construct and included a camp halfway to the summit which is still in use today. The Barr Trail opening was followed by the establishment of the AdAmAn Club in 1923. Each year, a new member is chosen to join the group, which treks to the summit on New Years’ Eve to set off fire works at midnight. In 1935, this group gained notoriety as they broadcasted greetings from the peak to Admiral Richard C. Byrd in the Antarctic. Just six years earlier, Bill Williams gained fame by pushing a peanut to the top of Pikes Peak with his nose.

It has been nearly 200 years since the first explorers spotted “America’s Mountain”, Pikes Peak, off in the distance. Since that time, untold numbers of men and women around the world have traversed the United States in search of this great landmark. They were looking for opportunity and freedom they had only imagined in their dreams. They found it, too, here in the American west where the untamed land dared the bravest to fight for peace, happiness, and the American way of life.

The Mysterious Disappearance of Melinda Brolin

c 2019 by Jan MacKell Collins

Parts of this article originally appeared in the Ute Pass Vacation Guide in 2002.

Today’s “Old Colorado City”, located due west of Colorado Springs, Colorado, is filled with kitschy shops, great restaurants and comfy pubs. Most of them are housed in beautiful historic buildings, some dating back to the late 1800’s. From the time it was founded in 1859 to its annexation to Colorado Springs in the early 1900’s, Colorado City fairly howled with history in the way of saloons, gambling and giddy girls.

When Colorado Springs was founded as the elite “Saratoga of the West” in 1874, there was naturally an uproar over the goings-on in bawdy Colorado City. Liquor, gambling houses and prostitution was outlawed in the new town, but in the old town the owners of such places found plenty of ways to carry on business out of the prying eyes of newspapers and the law. One system employed involved an underground tunnel system, whereby one could enter a respectable store or restaurant, access a tunnel, and come out at a tavern, gambling den or brothel.

In time, everyone knew about the tunnels. And although some of the old tunnels survive even today, not much has been found to document what actually went on inside of them. There is one tale, largely folklore in nature, that tells of a young lady who went into one of these tunnels-and never came back out. Her name was Melinda Brolin.

At the time, there was a new rush to the Cripple Creek District, just on the other side of Pikes Peak from Colorado City. Miners were flooding into Colorado City on their way to the goldfields. One of them was Ben Kelly, who left his Chicago home to find his riches in 1899. As was common Kelly left behind the love of his life—our heroine—with the promise to send for her as soon as his prospects looked good.

Six months after Kelly’s departure, Melinda grew impatient and came west herself. She landed in Colorado City, securing a waitress job in a restaurant at today’s 2625 West Colorado Avenue, until she could afford the trek up Ute Pass to Cripple Creek. Colorado City proved to be a friendly place full of friendly people. As months went by, Melinda thought less and less of the beau who had not bothered to send for her. Eventually she found another man and made Colorado City her permanent home.

Back then, Colorado City was practically a sister city to Cripple Creek. The Golden Cycle Mill along today’s Highway 24 processed Cripple Creek ore, and thousands of people divided their time between the two cities. In time, Ben Kelly heard that Melinda was in Colorado City. He also heard about her new lover. A fit of jealousy overtook him and he hopped on the next train for Colorado City, intent on finding his cheating gal and exacting revenge.

By then, Melinda’s dedicated customers, as well as her new beau, were as loyal to Melinda as though she had lived in Colorado City all her life. When they heard Kelly was in town and looking for blood, they lost no time in informing Miss Melinda. The Irish lass quickly took refuge in the basement, disappearing into one of many tunnels underneath Colorado Avenue.

Kelly looked in vain for Melinda all over Colorado City, but nobody ever saw hide nor hair of her—ever again. Even after Kelly gave up and departed for Cripple Creek, Melinda failed to surface from the tunnel. A thorough search turned up nothing, and nobody recalled seeing a woman of her description emerge from either end.  No one ever knew what became of her, and some weeks after her disappearance the tunnel collapsed.

Melissa’s disappearance was the beginning of several strange happenstances. Local legend alleges that a week after the tunnel collapsed, Melinda’s former place of employment caught fire. Melinda’s forlorn lover in Colorado City died a mysterious death and his body was found in Fountain Creek. Shortly after that, even Ben Kelly met his end in a mine at Cripple Creek. If Melinda was around to hear of these fateful events, she never made herself known.

For decades following Melinda’s disappearance, her old workplace pretty much remained the site of generations of other restaurants and cafes. In about 1952 it was known as Baskett’s Cafe, and in 2002 was Gertrude’s Restaurant. These days, the place is an Irish pub called Alchemy. No matter the business, various owners dating as far back as 1900 have claimed there is a ghost. Perhaps in the end, Melinda never left her beloved workplace at all.

The Legend of Tucker Holland

c 2019 by Jan MacKell Collins

Portions of this article are excerpted from Brothels, Bordellos & Bad Girls: Prostitution in Colorado 1860-1930.

           No doubt about it, Tucker Holland had it bad for Dolly Worling. The 24-year-old thought nothing of spending his time and money on the soiled dove of Colorado City’s red light district west of Colorado Springs. In fact, for a good six months leading up to Tucker’s death, his love for Dolly had turned from mere infatuation into downright obsession.

            It was said Tucker was a good boy, residing in Colorado Springs and holding a steady job. But the enticement of Colorado City was his undoing. Tucker and his brother Tony were frequent visitors to the red light district, and both boys had a fondness for Dolly’s house of ill fame, The Cottage.

            On the night of  January 18, 1908, Tucker and Tony were out buying sandwiches for the Cottage girls when Dolly’s ex-husband, Frank Shank, arrived. Frank was a foul mouthed bartender, but his love for Dolly was undying. The couple had been trying to reconcile for some time. Dolly’s love for Frank and Tucker had become precariously balanced, tilting in favor of Frank whenever the boisterous man darkened her door. When Tucker returned with the sandwiches, he discovered he’d been unceremoniously ousted from Dolly’s house. Employee Nettie Crawford met him at the door. Instructions to find somewhere else to sleep were accompanied by a pile of Tucker’s clothes.

            Crestfallen Tucker went away, muttering to Tony, “This is the end of me.” The following morning, the brothers were once more received at Dolly’s house. Tucker and Dolly retired to her boudoir, where Tucker sat on the bed and played with a revolver. Dolly stood at the window making light of Tucker’s intentions as she listened to him declare his love for her. Outside, a small boy on the sidewalk below was pointing his toy pistol at Dolly’s dog. Dolly joked, “See, Tucker, he’s going to shoot my poodle!”

            But Tucker Holland was in no mood for jokes. “Well, here’s another,” he replied. A second later a shot rang out as Tucker shot himself in the head.

            Dolly screamed, and the other girls rushed into the room. Dolly’s cook, Birdie Ward, took the gun from Tucker’s dying hand and laid it on the dresser. Dolly grabbed the gun and turned it on herself, exclaiming, “If he’s dead, I must die too!” Her girls succeeded in wrestling the gun away from her, and Tony summoned the police.

            When authorities arrived, they found Tucker bleeding profusely as he lay across Dolly’s bed. The pistol was on the dresser, but the police had a hard time swallowing the story of why it was there. Each occupant of the house was immediately arrested, including customer Roy Catton. Tucker was bundled off to St. Francis Hospital, where he died at 3 p.m. He never recovered sufficiently enough to make a statement.

            An inquest following the shooting included questioning of Tony Holland, Nettie Crawford and Birdie Ward, as well as prostitutes Mary Catlin and Myrtle Van Duyne. Frank Shank was questioned, but mostly spewed forth epithets for answers. Dolly also was questioned. The inquiry concluded that Tucker Holland had indeed ended his own life.

            Tucker was buried at Evergreen Cemetery, and his untimely death inspired the city authorities in Colorado City to close the brothels. The prostitutes of Colorado City were accordingly given ten days to leave town. Where Dolly Worley went is unknown, but her baggage certainly contained the memory of the boy who loved her—and lost.

Second To One: Mamie Majors, Colorado City’s (Almost) Reigning Madam

c 2019 by Jan MacKell Collins

Portions of this article have been excerpted from Brothels, Bordellos & Bad Girls: Prostitution in Colorado 1860-1930 (University of New Mexico Press, 2004).

When the Pikes Peak Gold Rush hit in 1859, the new boom created a stir all over what was then Colorado Territory. Hundreds of prospectors and merchants were making their way to the gold fields on the western slope of Colorado. The trails south of Denver included Ute Pass, an ancient Indian trail that skirted the base of Pikes Peak near today’s Colorado Springs. The beginning of the trail was marked by Colorado City, a thriving supply town that included ramshackle houses, churches, a school, hotels and saloons. The first tavern was opened in 1860 by John George.

In 1861 Colorado City was made the capitol of Colorado Territory. But the title was short-lived, and within a decade, Colorado City became the black sheep of El Paso County as the new, elite, and ostentatious city of Colorado Springs managed to win the county seat. Founded by Quaker William Jackson Palmer, Colorado Springs sought to be the “Saratoga of the West” with fancy homes and nice hotels. Liquor, and bawdy houses, were prohibited within in the city limits. It stood to reason, then, that Colorado City should excel where Colorado Springs did not. A variety of activities, from prize fighting to prostitution to drinking to dancing, went on at all hours near what is now the 2500 block of Colorado Avenue.

Through the years, the number of Colorado City saloons steadily grew, from four taverns in 1884 to twenty-three saloons in 1888, plus a number of women practicing the world’s oldest profession. By the 1890’s, these women had been relegated to Washington Avenue, known these days as Cucharras Street, located one block south of the city’s main drag.

Today, the best-known madam of Colorado City remains Laura Bell McDaniel, “Queen of the Colorado City Tenderloin”. Largely due to her reputation for running classy brothels with utmost taste, Laura Bell had little to fear from most of her competitors. Only one woman, in fact, appears to have come closest to achieving the fame and success of Laura Bell McDaniel. Her name was Mamie Majors.

Although she may have arrived in Colorado City as early as 1897, Mamie does not appear in the 1900 census, nor does she appear in city directories until about 1901. Where she had been before coming to Colorado City is unknown, but Mamie apparently brought the know-how of her profession with her. Within a short time, Mamie reigned right up alongside Laura Bell as one of the most prominent madams in town. Similarities between the women are striking indeed. Both ruled over their respective kingdoms with grace and finesse. Both madams also paid their monthly fines to the city on time, subscribed to newspapers and donated to schools, churches and other charities.

Most unfortunately, Mamie chose the most inopportune time to make her debut in Colorado City. Police chief George Birdsall, the newest addition to City Hall in 1900, was making it his business to crack down on gambling, drinking and prostitution. Upon taking his station, Birdsall found the shady ladies of Colorado City were running amuck, with more and more girls showing up to ply their trade.

The year 1901 found Mamie rooming with several other women at 615 Washington Avenue, a brothel owned and operated by Nellie White. Prostitutes within the house included musician Nellie Thomas, and prostitutes Millie Arnold, Edith Baker, Laura Smith, Zoe Wallace and Fredy Bowers. An African-American cook, Lou Riley or Reilly, kept the girls well-nourished.

Lou remained as an employee of both Mamie and Nellie White through 1903. The two madams seem to have run the brothel together and were destined to maintain a business relationship for many years-even after Mamie opened her own brothel in 1902. The new place, at 617 South 6th Street, was smaller. Mamie’s employees there were Katie Stephens and Emma West. Shortly after the move, Nellie White’s brothel burned and she moved back in with Mamie. 

By 1903, Mamie and Nellie’s business was blooming. Emma West remained an employee, alongside prostitutes Blanche Freeman and Mary Stevens. Two musicians, James Tennison and William Robison, played regularly for the house. Emma Jones worked as a cook. Nellie remained with Mamie through June of 1903, when she  was taken to court for prostitution. In a rare show of mercy, the court dismissed her case. And, a subsequent $50 fine for Mamie hardly phased the illustrious madam.

Mamie’s brothel teemed with success even after she moved to 617 Washington. Mamie had purchased the brothel from Laura White, another prominent madam. When Mamie Majors took over, the place became known as The White Elephant and The Mansions – the latter being the same name Laura Bell McDaniels had used for her own elegant parlor house. Did the twosome partner up? Possibly, since Mamie and Laura Bell remained neighbors for the rest of their time in Colorado City.

By June of 1905, Colorado City authorities had enough. City officials were no longer satisfied with the monthly “bribes” the madams paid, and raided the red-light district. Mamie Majors was targeted and arrested on June 22, along with madams Annie Wilson and Mamie Swift. Saloon owners Byron Hames and Otto Fehringer came to the rescue, posting a $1500 bond for the three women.

Charges were levied against all three women, but it was Mamie Majors whom city authorities sought to make an example. Her case came up on July 17 and caused quite a stir in Colorado City. The wealthy madam lost little time in hiring not one, but three attorneys to handle her case: former Cripple Creek judge Samuel Kinsley, Arthur Cornforth and William D. Lombard, whose clients included Laura Bell McDaniel. No doubt Mamie had every confidence in the world when she reappeared in court with the three attorneys on her arm.

In fact, Mamie’s antics seem to have been quite bold, for even while she was awaiting trial, her business continued at 617 Washington. But despite Mamie’s pleas in court and testimony of her many good deeds, the District Attorney painted a picture of a destitute, hardened and horrible woman who was getting what she deserved. Ultimately, Mamie was found guilty, but the determined madam was undaunted and used every power she had to fight the charge. A motion for a new trial was filed on July 31.

Unfortunately for Mamie, the cards were stacked against her. Witnesses for the prosecution consisted of Police Chief Birdsall, city detective John Rowan, Police Magistrate and former mayor J.D. Faulkner, and police officers Leroy Gilliland and Ed Rettinger. Also called to testify against Mamie were Anna Rook, who had worked for Mamie in 1903, and Ioma Williams. When Ioma took the stand, she stated, “I live at 617 Washington with Miss Majors. I refuse to answer to what kind of a house she kept there, as it might degrade me.”

Apparently Mamie’s other employees were not called to testify, but further evidence showed Mamie had averaged one court visit per month in the previous eighteen months. Although it was established that Nellie White owned the house and paid the bills there, Mamie continued to be prosecuted for her actions. On August 3, the motion for a new trial was overruled. Judge L.W. Cunningham sentenced Mamie to six months in El Paso County Jail, plus court costs.

Mamie appealed Cunningham’s decision to the state supreme court. In the meantime, she took over Anna Wilson’s bordello at 621 Washington in January of 1906, after Anna was convicted of selling beer to a minor. Mamie’s employees were Ethel Gray, Clara Stillwell, and musician Fred Wright. Given the size of the two-story, four-square home, Mamie likely employed several other women as well.

The move certainly did not fool authorities, nor did Mamie’s refusal to quit the profession. In September of 1906, the original judgment against Mamie was upheld. Still determined to clear her name, Mamie moved next door to her brothel, where she appears to have been the sole occupant. Next, she enlisted her influential friends to secure a governors’ pardon. On September 20, 1906, The Colorado City Iris printed a copy of a letter from Governor Henry A. Buchtel to Reverend Frank W. Hullinger of Colorado City. Buchtel’s published letter was a reply to one he had received from the Women’s Christian Temperance Union of Colorado City, a letter he called “discourteous.” 

The note read in part, “Senator Cornforth came with a bundle of letters from your most prominent people, asking for the pardon of Mamie Majors, but I did not pardon her at all.” Buchtel’s letter went on to include excerpts from letters written by Byron Hames, Judge Orr, and several other prominent citizens. Each letter requested that Mamie be released from serving her upcoming jail time. Hames’ letter stated in part, “Having known Miss Mamie Majors for twenty years and found her always upright and honorable in her business dealings, we would consider it a great favor if you would pardon her from the charge that is now against her.” Judge Orr’s letter stated she had ceased business. Most interesting were letters from J.D. Faulkner and Officer Rettinger, since they had initially testified against Mamie. All of the letters made Mamie Majors appear more innocent than a June bride.

Governor Buchtel reiterated in his published letter, “Now in the face of all this, I did not pardon Mamie Majors. Please fix that in your mind. I would like to say it over and over about 10,000 times, I DID NOT PARDON MAMIE MAJORS.” The good governors’ name was at last cleared in the eyes of Colorado City’s do-gooders. But what the Colorado City Iris failed to mention until a few days later was that Buchtel had reduced Mamie’s sentence from six months to thirty days. The newspaper further emphasized that Senator Arthur Cornforth had informed Buchtel that Mamie was not even in jail. Upon discovering this, the governor insisted she immediately be incarcerated.

After serving her thirty days, Mamie returned to her wicked ways. She moved back to 615 Washington, and the 1905-6 directory lists Lola Siggars and Margaret Scott as employees. In the wake of her scandalous court case, many of Mamie’s employees had parted ways with her, but she still retained friendships with many of her former girls. Even after employee Carrie Briscoe married Burt Wells in 1902, Mamie paid for shipment of Carrie’s body when she died of tuberculosis in November 1906.

Mamie continued to rebuild her business while weathering mass meetings of the W.C.T.U., a slew of new ordinances, and Mayor Ira Foote—the next official to vow to clean up Colorado City. In January of 1909, the red-light district suffered a series of devastating fires that burned down many brothels, including Mamie’s. In April, the Iris noted that despite a short-lived reformation, both Laura Bell McDaniel and Mamie Majors were at it again. “No sooner had the new officers held up the hands and taken the oath of office to support the laws of the land,” blasted the newspaper, “than Laura Bell, the oldest and most influential sinner of them all, started a brick building said to cost $10,000. Mamie Majors, once sentenced to six months in the county jail and pardoned by Governor Buchtel, on the pleas that she had reformed, fitted up the old ‘City Hotel’ and opened up the house in full blast.”

The city directory for 1909 lists Mamie at 626 Washington. By May, Mamie and her cohorts had reverted to paying their customary $25.00 in monthly fines. From September 1909 through February 1910, Mamie paid an average of $41.00 per month in fines, all for keeping a bawdy or disorderly house. Mamie next relocated to 710 Washington. In 1913, Mamie and inmates Marie Fitzgerald and Jennie Johnson (formerly a domestic servant for Laura Bell McDaniel) were fined again.

The last act of benevolence committed by Mamie Majors happened in December of 1909, when retired madam Blanche Burton’s died after her dress caught on fire. Mamie was with Blanche as she died, and paid for her funeral expenses.

Mamie remained in business through at least 1916 when Colorado City succeeded in declaring liquor unlawful within city limits. With the demise of the saloons and gambling houses, the pressure to cease business was even greater on prostitutes. Eventually Mamie gave in to the law and like so many others, disappeared without a trace. Her competitor, Laura Bell McDaniel, died in 1918. Today, one of Mamie’s brothels at 2616 West Cucharras is an apartment house for seniors, and one of the few brothels in Colorado City to remain in its original condition.

Brothels, Bordellos & Bad Girls: Prostitution in Colorado 1860-1930, Chapter Two: Life as a Harlot

c 2018 by Jan MacKell Collins

The Passing of Faro Dan 

Cactus Nell in the gaudy gown

Of a dance hall vamp in a border town

Had tried her wiles on a man who seemed

To read her smiles as he stood and dreamed

And he paid no heed to the tell-tale leer

Of the brothel queen as she lingered near

But turned and looked to another place,

Removed from the glare of her painted face.

 The she-thing paled with a tang of hate

At the slight implied by the measured gait

Each step seemed telling as words might say

He despised her breed and the tinseled way

And she raged within as the dance hall clan

Observed the move of the silent man

And she made a vow that the man should pay

For the public slight—in the brothel way.

 A whispered word and hurried plan

Was told in the ear of Faro Dan

Then Nell wandered out on the dance hall floor,

Then stopped a bit as an idler would

Quite close to the place where the stranger stood

And Nell, with the hate of her creed and race

Stepped close and spat in the stranger’s face.

 The silence fell and the place was still

Like a stage that was set where the actors kill

And the stranger stood and calmly viewed

The taunting face of the woman lewd

Then his eyes were turned till they rested on

Her consort near, with his pistol drawn

Then he slowly grinned and turned his head

To the brothel queen, where he calmly said,

 “I reckon girl there’s been a day

When a mother loved in a mother’s way

And prayed, I guess, as her baby grew,

She never would be a thing like you

And so for her and the child she bore

I’ve pity gal, and I’ve nothing more.”

Then turning again to Faro Dan,

“I’m calling you hombre, man to man.”

 The call was quick as a lightening flash

And the shots rang out in a single crash

And the stranger stood with a smoking gun

And viewed the work that his skill had won

Then walking slow to the dance hall door

He turned to the awe—struck crowd once more.

“I just dropped in from Alkali,

And now, I reckon, I’ll say goodbye.”

       —Myrtle Whifford, Kansas City, Missouri, 1926

          Prostitutes came from all walks of life. Some escaped poor or negligent homes as young girls. Others were widows with children to feed, or were unskilled in labor with no other hope for making a living. More than a few were lured into prostitution as a viable way to dance, drink, kick up their heels and have a good time. Still others came from fine upstanding families from the east and were educated or talented musicians and singers. Some, such as Mattie Silks of Denver, were simply looking to make some good money. “I went into the sporting life for business reasons and for no other.” Mattie once said. “It was a way for a woman in those days to make money and I made it. I considered myself then and do now—as a business woman.” Mattie always claimed that she was never more than a madam and never worked as a prostitute.

            In fact more women approached their profession on a strictly-business basis than is widely thought. One former customer recalled how most girls would remove only the essential clothing to transact their business and hurried their customers along. “When it came to the actual act, though, the routine was standard…Then she’d wash you off again, and herself. Then she’d get dressed, without even looking at you. You could see she was already thinking about nothing but getting downstairs.” Brothels in general were in the business to make money, and their employees had to keep customers on the move.

            Even more women turned to prostitution as an alternative to dull or abusive marriages. It was no easy matter, being married in the Victorian era. Given the harshness of the times—no electricity, back breaking chores, a plethora of vices such as gambling, drinking and drugs, and pro-creational rather than recreational sex, it is no wonder many marriages ended in divorce. The misery doubled with the death of a child, or if either spouse was given to drinking or beating the other. So, when Ed Harless’ wife turned up missing in Victor, it was no real surprise to anyone except maybe Ed.

            The Harless’ first appeared in Victor in 1902. Ed was a miner at the Portland Mine, residing with his bride at 321 South 4th Street. But he apparently balanced his time between Victor and Denver, where he had another home. It was probably during one of his absences that Mrs. Harless unexpectedly packed her bags and caught the next train out of town. Ed went looking for her, much as any husband might do. He found her in Silverton, and the November 29 Silverton Standard reported what happened next. Harless had arrived from Victor the day before. According to the newspaper, he had been consulting a spirit medium in Denver regarding his wife’s whereabouts. The clairvoyant informed Harless that he had to look no further than Silverton to find her.

            Harless beat a path to Marshal Leonard’s door in Silverton. After a short investigation, the good marshal led Harless to a bordello on Silverton’s notorious Blair Street. As was the case with so many before her, the price of Mrs. Harless’ freedom was to land in a strange town with no support. Prostitution was a viable way to get some cash, and the girls on the row had beckoned her in. The two men entered the room occupied by Mrs. Harless. As the marshal stepped to the window to let in some light, the woman let out a scream. The marshal turned in time to see the husband “drawing an ugly looking revolver”. Leonard wrestled the gun away from the angry man and promptly deposited him in the city pokey. Harless was fined $50 and costs.

            Women who left their marriages for a more exciting life in the prostitution industry often failed to find the freedom they sought. The Boulder County Herald in 1881 reported on a young man from Kansas who found a female acquaintance from back home working in Boulder. The two were married, thus saving the girl from the clutches of prostitution. In 1884 the newspaper Kansas City Cowboy wrote about a woman who changed her mind after turning to prostitution: “A well dressed gentleman stepped into the dance hall and to his surprise found his long lost sweetheart, whom he had given up for dead. After wiping the tears away, the lover commenced asking how come she was living in such a place. The lovely unfortunate with dazzling eyes gazed up at him and said, ‘Charlie, I don’t know. It has always been a mystery.’ The couple left on the late train for Pueblo where they will be joined in the happy bonds of holy wedlock.”

          Occasionally too, young girls joined the industry for no other reason than because they were wild. In 1899 the Silverton Standard reported on a boarding house waitress who stepped out for a break and wound up “drunker than a fiddler” at a local dance hall. “The event was but a repetition of the girl’s old tricks.” reported the paper. “She is young, her parents reside here and if they have no control over her she should be sent to the home for incorrigibles.” 

            No matter where they came from, most working girls counted on being banished and shunned by their families, who were naturally shocked and ashamed at their actions. If at all possible, the average prostitute launched her career far away from her hometown and lied about her job position in her letters back home. Stories of prostitutes whose families discovered their true occupations were so numerous that they inspired song such as this:

Aunt Clara

Chorus:

Oh, we never mention Aunt Clara,

Her picture is turned to the wall,

Though she lives on the French Riviera

Mother says she is dead to us all!

 At church on the organ she’d practice and play

The preacher would pump up and down

His wife caught him playing with Auntie one day

And that’s why Aunt Clara left town.

 Chorus

 With presents he tempted and lured her to sin

Her innocent virtue to smirch

But her honor was strong and she only gave in

When he gave her the deed to the church

Chorus

 They said that no one cared if she never came back

When she left us, her fortune to seek

But the boys at the firehouse draped it all in black

And the ball team wore mourning all week

 Chorus

 They told her that no man would make her his bride

They prophesied children of shame,

Yet she married four counts and a baron besides,

And hasn’t a child to her name!

 Chorus

 They told her the wages of sinners was Death

But she said if she had to be dead

She’s just as soon die with champaign on her breath

And some pink satin sheets on her bed

 Chorus

 They say that the Hell-fires will punish her sin,

She’ll burn for her carryings-on

But at least for the present, she’s toasting her skin

In the sunshine of Deauville and Cannes

 Chorus

 They say that’s sunken, they say that she fell

From the narrow and virtuous path

But her French formal gardens are sunken as well

And so is her pink marble bath

 Chorus

 My mother does all of her housework alone

She washes and scrubs for her board.

We’ve reached the conclusion that virtue’s its own

And the only reward!

 Oh we never speak of Aunt Clara

But we think when we grow up tall

We’ll go to the French Riviera

And let Mother turn us to the wall!

 It’s more exciting…Mother turn us to the wall!

             In most cases, the girls’ backgrounds echoed their lifestyles in the industry. In about 1905, a sad-eyed mulatto woman named Dorothy “Tar Baby” Brown arrived in Silverton. Born in Chicago, Tar Baby had been raised in an orphanage. Despite being one of the toughest girls on the line at Blair Street, Dorothy eventually married Frank Brown who was on the police force. An acquaintance recalled that the Brown household was filthy. Dorothy would roll her own cigarettes and flick the used butts onto the ceilings and walls. The Browns had one son, who died in an accident in 1954. Tar Baby died in 1971 at Durango.

            In order to truly disguise their identity, many soiled doves sported one or more pseudonyms. Fake names and nicknames were common. They were used to elude the law, make a fresh start or avoid undesirable people in a girl’s life. In some cases, prostitutes planning to move on were actually able to bribe the local newspapermen, upon their departure, to print an “obituary”. The demise of a girls’ pseudonym would prevent any questions about a woman’s whereabouts, securing her safety from the law and others and allowing her to move on with an all new identity.

            Finding these women’s real identities is a task that will never be complete. Cripple Creek’s prostitute register for 1912 lists a Jessie Ford, along with her physical description and the listing of her birthplace as Des Moines, Iowa. She had recently come from Denver. Because her name is noted as an alias, however, Jessie’s story may never be known. Another was Bertha Lewis, whose real name is not listed. Bertha arrived in Cripple Creek in January of 1912 from Denver. The only other known facts about Bertha are that she was born in Kansas, she was black, and she left town on March 10.

            Because the majority of prostitutes used pseudonyms, tracking them from town to town was difficult for the law and others. An interesting coincidence which illustrates this fact is the number of women with the uncommon surname of “St. Clair” who appeared in Cripple Creek and later Colorado City. The 1896 Cripple Creek city directory lists one Eve St. Claire rooming at 335 ½ Myers Avenue. There was also an Ida St. Claire who roomed at 133 W. Myers in 1896, working as a laundress. The 1900 directory lists Miss Irene St. Clair at 420 East Myers. Then in 1904-05, Jeanette St. Clair is listed in the Colorado City directory at 615 Washington. In 1907 yet another St. Claire, this one known as Miss Celia, resided at 341 Myers Avenue in Cripple Creek.

          The directories mentioned above rarely list any other St. Clairs, prostitutes or otherwise. Miss Millie Lavely is another puzzle. In 1900 she lived at 420 Myers Avenue. Five years later, Millie was living at 315 Myers. The 1907 city directory shows no Millie Lavely, but does show a Miss Millie Laverty residing at the Old Homestead Parlor House. Whether any of these women actually shared a connection will likely never be known.

            It was not always easy to conceal one’s identity. The authorities certainly knew every alias of Bessie Blondell, a.k.a. Bessie McSean, a.k.a Dorothy McCleave. In June of 1912, Bessie arrived in Cripple Creek and began sporting at 373 Myers Avenue. A native of Ohio, Bessie had last worked in Denver. On August 16, the city clerk recorded that Bessie had departed for Denver once more on the 7 a.m. train, adding the note, “From there she goes to El Paso, TX.” Blondell was Bessie’s married name, and her husband had been convicted in El Paso, Texas, for smuggling. He was sentenced to two and one-half years at Levenworth Prison. Bessie was also under indictment for smuggling. Her ultimate fate is unknown. She may have wound up in New York, where a woman of her name died in 1981. And there were other women such as Cripple Creek prostitute Sophia Green of Mackey, Idaho, who sometimes used the last name of her husband, Brockey Jones.

            Choosing a pseudonym must have been a fascinating game for working girls, whose new names could mean taking on a whole new persona. Coming up with a fake identity had its challenges, and many girls obviously had fun with it. Witness such tongue-in-cheek names in Cripple Creek as Jack Williams, Dickey Dalmore, Jonny Jones, Teddie Miles and Grace Miller, a.k.a. Grace Maycharm. Other names were symbolic or taken from local landmarks, ethnic origins or even status symbols of the day. Vola Keeling, alias Vola Gillette, likely fabricated her new name in Cripple Creek from the nearby town of Gillett. Not at all surprisingly, Louise Paris was a French prostitute working in the French block of Myers Avenue in Cripple Creek. The name frequently denoted where the girl was from, as in the case of Colorado girls China Mary, French Erma, Dutch Mary and Irish Mag, Austrian Annie, Kansas City and Denver Darling.

            Other times, a girl’s nickname played on her talents. Names like the Virgin, Few Clothes Molly, Featherlegs, Smooth Bore and Sweet Fanny let prospective clients know what they could expect from these women. Sometimes the girls chose their own pseudonyms; other times they were dubbed by their clients or other girls on the row. Many of those names, however, were not complimentary. Such women as Two Ton Tilly, Ton of Coal, Noseless Lou and Dancing Heifer probably had little to do with fabricating their nicknames.

            Other less romantic names included Dirty Neck Nell, Dizzy Daisy, Tall Rose, Greasy Gert, Rotary Rose, PeeWee, T-Bone, Rowdy Kate, Mormon Queen, Lacy Liz and Nervous Jessie. Salida prostitute Lizzie Landon was also known as White Dog Liz. One of the most insulting names was imposed on Lottie Amick, a.k.a. the Victor Pig. Lottie had been living in Colorado since at least 1898, when she married one Oliver C. Chase in Colorado Springs. By June of 1911, Lottie was living at 342 Myers in Cripple Creek. On January 7 of 1912 she moved to Victor, where she probably picked up her degrading pseudonym. She returned to Cripple Creek in June, and in May of 1913 departed for Colorado Springs.

            And then there are a few names whose origin will never be solved, such as a pair of girls in Pueblo who called themselves the Hamburger Twins.

            There is little doubt that many girls had fun making up new names and using them to fool authorities, sometimes right under the law’s nose. The Cripple Creek register of prostitutes for 1911 reports on two different women named Alice Clark. Both arrived on September 22 from Denver, and both took up residence at 435 Myers. One was black and one was white. One was a year older than the other and both had about the same build. The striking similarities noted for two completely different women lead one to speculate whether one or two officials took the descriptions—and which one of the girls was really Alice Clark.

            It was also a common practice for prostitutes to use several different pseudonyms during their careers. Sometimes, the name was duplicated as in the case of two Pueblo women who were both named Dutch Kate. The first was found dead in 1876 with bruises on her body and her jewelry missing. The second Dutch Kate made the papers in 1882 for chasing a man up and down Union Avenue with a knife, “threatening to have his heart’s blood”. She eventually was incarcerated without further incident.

            Whatever her name every prostitute strived to look and be at her best at all times, despite her hectic, hazy and downright dangerous lifestyle. Dress was very important to prostitutes, whose vanity knew no limits and whose job was to look, smell and feel good. Of her co-workers in Cripple Creek, dance hall girl Lizzie Beaudrie recalled: “Some of the other girls had short lawn dresses with a drop yoke and little ruffles on the bottom of the skirt. Not a girl wore a tight fitting dress or very much jewelry, and the girls all looked clean.”

            Further up the fashion ladder, Laura Evens recalled paying between $100 and $150 for her gowns in Leadville at Madame Frank’s Emporium during the year 1895. “We wore heavy black stockings embroidered with pink roses.” she remembered. “No short skirts and hustling in doorways like the crib girls.” Indeed harlots in smaller, wilder camps such as the town of Gothic dared to wear dresses clear up to their knees. But the fancier girls would take any measure necessary to procure their fancy gowns. Once Ethel Carlton, wife of freighting and bank millionaire Bert Carlton of Cripple Creek, gave some of her old gowns to a servant to distribute among the poor girls in town. Later, as she gazed upon a wagon full of soiled doves going by, Mrs. Carlton recognized her cast off dresses. Her servant, apparently, had taken the gowns right down to the row and sold them for a profit. Mrs. Carlton was said to be quite amused by the incident.

            Fashion was at least as important among the red-light ladies as it was to those in decent society. Every inch of detail was carefully paid the utmost attention, as illustrated in Lizzie Beaudrie’s detailed description of a woman she noticed standing at the bar for a drink one night at the Red Light Dance Hall. “…She wore a velvet suit, a short, pleated skirt up to her knees, a white silk blouse with a sailor collar trimmed with narrow lace, long sleeves with turned back cuffs and a little Eaton jacket to match her skirt. The skirt and jacket were trimmed with gold braid. The suit was black. She wore black stockings and spring heel patent leather slippers. Her hair was cut short and curled all over her head…”

            If the women of the red-light district paid attention to such details, so did the general public—especially the media. In April of 1872, the Pueblo Chieftan gave a somewhat humorous account of a scuffle between Esther Baldwin and her girls and Sam Mickey, a Denver gambler. Upon sending Baldwin into “a scuttle of coal”, Mickey “followed up his advantage and went for the rest in rotation, and in less time than we have been writing it, the floor was covered with false teeth, false curls, false palpitators [probably false breasts], patent calves, chignons and other articles of feminine gear too numerous to mention.” The Leadville Chronicle noted a similar scuffle when reporting a fight between inmates of the Red Light and the Bon Ton: “The fight was short and bloody. The air was thick with wigs, teeth, obscenity and bad breaths.” Even Central City wasn’t safe, when “a span of girls on Big Swede Avenue tried to kill each other night before last. They only succeeded in burning some dry goods and conflagrating a lamp.” 

            Hair, teeth and facial makeup were other important facets of every day life. Many women, such as Cripple Creek prostitute Marion Murphy, bleached their hair. Records on these women indicate that bleaching was a trend brought with such eastern beauties as Bertha LeRay of Chicago. In the days before dyes and manufactured hair products, bleaching was a very dangerous process during which one could suffer burns to the skin as well as the eyes. Harlots such as the mulattos Mary Buchanan and Lillian Bryant, who worked in Cripple Creek in 1911 and 1912 respectively, bleached their hair with most interesting results. In Lillian’s case, the Chicago lovely’s black hair was bleached to a wild red color. An unfortunate fact that is easily forgotten is that many girls also had poor teeth, not having the luxury of a toothbrush or lessons on how to use it. Thus, many girls had missing, gold-filled or gold-capped teeth. Cripple Creek prostitute Marie Brady had four of her upper front teeth filled with gold. Her co-workers, Ruth Allen and Lillian Bryant, had both gold crowns and gold teeth.

            Once they were dressed in their best finery, the girls were ready to go to work. Whether they worked in a parlor house or a dance hall, part of their job involved socializing with customers in some sort of party atmosphere. Much of the time, however, their actions were rigidly controlled. If they lingered with a customer too long or engaged in too much conversation and not enough sex, they were reprimanded. Outrageous behavior was not permitted except in the lower class brothels and bars. The Alhambra Saloon in Silverton posted strict rules for its dance hall girls:

“1. No lady will leave the house during evening working hours without permission.

2. No lady will accompany a gentleman to his lodgings.

3. No kicking at the orchestra, especially from the stage.

4. Every lady will be required to dance on the floor after the show.

5. No fighting or quarreling will be allowed.” 

                The social life of a prostitute was minimal outside of the work place. Children were a sight near and dear to many prostitutes simply because it was rare to see them and easy to procure their trust. Colorado pioneer Anne Ellis recalled a day her young son visited a house of prostitution quite by accident in Bonanza. “[A] t one time in my married life, their house was just back of mine on the mountainside…once my creeping baby disappears, and I finally spy him, his yellow curls shining in the sunlight, crawling step by step up this flight, and I watch him to see he doesn’t fall backward, letting him go, much to the disgust of my neighbors, but I know these girls can’t hurt him, and he may help them.” 

            Cripple Creek resident Art Tremayne recalled when he was a child in the 1920’s, a visit to his step-grandmother’s home required passing a local brothel. As the boy and his mother walked along, young Art noticed some women in the second story window of a house, waving down at him. Art waved back. “I thought they were the nicest people,” he remembered. Art’s mother knew better. Grabbing her son’s hand, Mrs. Tremayne whisked down the street and out of sight of the shameful women. 

            Such innocence endeared children to prostitutes. They were not as biased or judgmental as adults, and they were willing to run errands for the girls. Prostitutes often sent messengers and newsboys to buy their drugs for them at the local pharmacy. In the interest of discretion, the girls would send the boy with a certain playing card and money to the drug store. The pharmacist, upon receiving the card, knew what the girls were ordering. The boys usually received a good tip for completing the mission.

            The hurt at being ostracized by society must have been great to many a prostitute, especially those who willingly donated to local charities, churches and schools. In the mode of the day, the good deeds of the red-light ladies were unreciprocated, and the girls rarely received credit for their benevolent acts. City authorities sought to make an example out of Colorado City madam Mamie Majors by arresting her for maintaining a house of ill fame in 1905. Two friends, druggist Otto Fehringer and saloon owner N.B. Hames, bailed her out of jail along with Mamie Swift and Annie Wilson. Despite Mamie Major’s pleas in court and testimony of her many good deeds, the District Attorney painted a picture of a destitute, hardened and horrible woman who was getting what she deserved.

            Although prostitutes were generally banned from public functions, some theaters and other public facilities did reserve special sections for them. The girls were required to enter by a less conspicuous door, and their reserved seating was usually in the back of the theater, out of public view. The girls generally attended such functions with each other, as no decent man wanted to risk being seen in public with them. In the mountain town of Montezuma, a local madam known as Dixie was allowed to attend baseball games so long as she remained seated at the end of the stands and away from decent folk. Perhaps to spite them Dixie, whose real name was Ada Smith, usually showed up for the game dressed in her best. Moreover, she boldly did her shopping at the Rice grocery store in Montezuma. Initially, only Mr. Rice would take her orders. Eventually her proper and business-like manners paid off and the rest of the family began waiting on her as well. Of special note was Dixie’s habit of buying milk by the case to feed the stray cats and dogs around town.

            Friendships among the girls on the row were important for several reasons. For one thing, establishing friendships lessened the chance of getting into fights. Also, it was rare to associate with people who were not in the profession. One exception was the unique relationship between a proper lady named Mindy Lamb and the notorious Mollie May of Leadville. One night in 1880, Mindy’s husband, Lewis, allegedly committed suicide in front of Winnie Purdy’s bordello. The only witness was a bully Lewis had known from childhood, former marshal Martin Duggan. Duggan had just attempted to run over Lewis with a sleigh he was delivering to Winnie, and it was widely suspected that Lewis had not committed suicide at all, but was actually shot to death by Duggan.

            It was said Mindy swore revenge on Duggan, promising him: “I shall wear black and mourn this killing until the very day of your death and then, Goddam you, I will dance upon your grave.” A few days later, Mollie May stopped Mindy on the street. “You don’t know me,” she told Mindy, “but I wanted to tell you that what happened to a decent man like your husband was a dirty rotten shame and I’m really sorry for you.” The two women became friends, often having a chat right in front of Mollie’s place. Not surprisingly, Mindy’s family was unaware of the friendship until she insisted on attending Mollie’s funeral in 1887.

            Women who made lasting friendships on the row felt lucky indeed. Laura Evens recalled fondly her friendship with Etta “Spuds” Murphy, whom Laura affectionately called Spuddy. The two apparently met in Leadville in 1895. Laura liked Etta’s business sense immediately. “Spuddy saved most of her [money]. Sewed $100 bills in her petticoat.”

            Laura extended a rare protective tenderness towards Spuddy. Part of her benevolent feelings was sympathy. “She was putting her brother through medical college,” Laura later remembered, “and when she went back east to attend his commencement he refused to recognize her. Now, wasn’t that a rotten thing to do?” (21) Laura and Spuddy parted ways in about 1896. Laura went to Salida, while Spuddy departed for Pueblo. For Laura, there were many great memories of being in Leadville with Spuddy. She once recalled the night in 1896 she and Spuddy rented a sleigh drawn by a horse named Broken-Tail Charlie. After a cruise around Leadville, the women drove the sleigh right into the famous Leadville Ice Palace. “Broken-Tail Charlie got scared at the music and kicked the hell out of our sleigh and broke the shafts and ran away and kicked one of the 4 X 4′ ice pillars all to pieces and ruined the exhibits before he ran home to his stable.”

            Another time Laura and Spuddy managed to rent two chariots from the Ringling Brothers Circus that was in town in exchange for an “elephant bucket” of beer. The ensuing race down Harris Avenue ended when Laura crashed her chariot into a telephone pole. One of Laura’s customers saved her from arrest. In fact, Laura’s male friends in Leadville were many. Once, during labor strikes as union men blocked entrance to a mine, Laura showed up under the guise of visiting a friend who had not been allowed to leave. She was permitted to enter. What the guards didn’t know was that she was smuggling the payroll for non-union miners under her skirts. Her effort was rewarded by a dinner invitation to the mine owners’ home plus $100.

            A third story of Laura’s escapades was recounted by the lady herself to Fred Mazzulla in 1945. In 1909 Laura escorted five of her girls and a musician to Central City for a party. “One evening, after a successful game of poker, one of the players, tho’t to revenge for his losses, to humiliate me by mentioning—how us poor unfortunates were ostracized from decent society (which at that was least of our thoughts) stated, ‘he would like to escort me to the lodge dance.’” Incensed, Laura bet the man $50 that she could attend the dance in a disguise so discreet that nobody would recognize her. The bet was on, and Laura showed up at the dance—dressed as a nun. Upon pretending to faint as a means of leaving the dance, Laura lost no time in collecting her money from her escort. “Imagine my friend’s surprise,” she wrote, “when even he did not recognize me in this costume as I had succeeded in going to a Ball that I was ordinarily ostracized from.”

            Laura Evens’ clients often came to her rescue. Many prostitutes made loyal friends out of their favorite customers, a varied lot from all walks of life. A good many of them were miners and young single men, but they could also be millionaires, business owners, laborers, city officials, and even law enforcement officers, husbands, and fathers. In Denver Jennie Rogers’ house was well-known as the place where local lawmakers retired at the end of their workday. Then as now, men gave virtually unlimited reasons for visiting houses of prostitution. In a day and age before such past times as watching sports, attending strip-tease joints and eating at franchises like Hooters, visiting a brothel was socially acceptable in most male circles. Single men who yearned for companionship were frequent customers, and more than a few of them probably shopped for wives. Married men, however, also were known to frequent brothels if only pursuing the cliche idea that they enjoyed cheating on their wives.

            Husbands had other reasons for seeking intimacy elsewhere, largely due to their wives being disinterested or uncomfortable—both physically and emotionally—when it came to having sex. During the Victorian era, the personal toilet of a woman was a complicated one indeed. Daily dress, no matter the weather, involved yards of petticoats, slips, pinafores, pantaloons, stockings, bustles and corsets. All were skillfully hidden beneath dresses made of heavy material. In short, Victorian dress was downright uncomfortable. The wearing of tight corsets could cause severe shortness of breath—hence the term “fainting couch” given to lounges designed for one to fall back or lie upon. In some cases corsets could even cause internal injuries to the liver and kidneys. One store catalogue even advertised an instrument devised to push organs back where they belonged by inserting it into the vagina.

            These were days when Premenstrual Syndrome, Menopause, lack of estrogen and other issues with the female anatomy were hardly recognized. To make matters worse, recreational sex was forbidden by society. Periodicals and books of the time warned against the evils of intercourse, frightening young girls into believing they would go mad or become depraved—just for having natural feelings. Sex was a forbidden subject, and many adolescents grew up without benefit of a talk about the birds and the bees. Proper girls were brought up believing sex was bad, the exception being to produce children.

            Even if a woman felt up to having sex, lack of reliable contraception was an issue of major importance. Mothers who already had large broods certainly didn’t need another mouth to feed. The number of women who died during or after childbirth was alarming in the days before advanced medical practices. One had to be careful, but methods of birth control were limited. Douches of vinegar and water, or sponges inserted into the vagina after sex were thought to wash away or absorb semen (in fact, they probably helped push the semen into the womb). Other homemade contraceptives were fashioned with cocoa butter or Vaseline or diaphragms made from hollowed out lemon or orange peels or beeswax. Poorer women believed squatting over a pot of steaming water or other liquid after sex would help fumigate their internal organs. Some husbands refused to buy condoms, first made from animal membrane and later from synthetic rubber. Others refused to let their wives practice contraception at all. Thus many wives withheld from having sex altogether, leaving their husbands in frustration. (One 1908 advertisement by the Butcher Drug Company of Colorado Springs sold electric vibrators for “vibratory massage” for $25. The ad features a photograph of a young woman in a nightgown, holding the device, which leads one to believe that women were probably able to access other means of gratification.) It was an ailment common to everyone from the poorest to the richest.

            With no Internet, only sporadic mail service and nary a telephone to be found, many businessmen were required to travel extensively and often. Their visits to brothels in the cities they visited were likely less discreet. But men were also known to visit bawdy houses in their own hometowns, where it was often more difficult to keep a secret. If their wives discovered these indiscretions, the recrimination could range from divorce to no reaction whatsoever. A woman with a husband who visited the occasional whorehouse was better than a woman with no husband at all—except that the fear of contracting venereal disease might put an end to marital sex once and for all.

            Marshall Sprague relates the tale of a wife who seemingly ignored her husbands’ infidelity for a good portion of their marriage. One evening, as the couple dined at a Cripple Creek hotel during their golden years, the wife decided to put an end to her own questions about whether her husband had ever visited a house of ill repute. This was accomplished simply by having a note delivered which read, “How wonderful to see you, Jack dear! I am waiting in the bar! As always, Hazel V.” The “V” stood for Vernon, as in the same Hazel Vernon who had run the Old Homestead and caused many a wife concern. Sure enough, the husband took the bait. “The old fellow read the note, blushed, mumbled ‘My broker’s on the phone’ and scurried off,” wrote Sprague, “eyes alight and looking 30 years younger.”

            Because many men who frequented sporting houses, saloons and gambling dens were upstanding citizens by day, newspapers often neglected to mention their names in articles about skirmishes and incidents. Witness a Boulder County Herald article from 1882, describing two men over-imbibed at a house of ill repute. “Accordingly Marshal Bounds and assistant Titus went to said house and arrested X and Y.” Reported the paper, with no other clue to the men’s identities. Another article by the same paper in 1884 identified another male violator only as “R”. Likewise, authorities did a fine job of losing paperwork, scribbling out names and disposing of mugshots, especially those of prominent or wealthy men. If the news was scandalous enough and the men were no more than common miners or from lower-class homes, the papers had no problem naming everyone involved.

            Sheriffs and deputies were not exempt from having their names published, since in doing so the newspaper could point fingers and thus assist in cleaning up the city. In some towns, however, even well-known lawmen kept their own brothels. But the wealthy, politicians, and other important figures in society could usually count on the papers to keep their names out of it. Besides, newspapers and the general public usually found fault with the prostitutes involved, since it was at their dens of vice that the incidents usually took place.

            It could not be said that prostitutes did not aid in keeping their customers’ identities unknown. Some houses of prostitution were so secretive about their prominent customers they gave them masks to wear. The masks were usually made of leather or cloth with cutout eye and mouth holes, and sometimes beards made from real hair. The faces were painted, complete with rosy cheeks and eyelashes. (26) Often, girls could service the same clients over and over again—without ever knowing their names. Even if the girls knew who their customers were, they were forbidden from seeing them, let alone acknowledging them, outside the red-light realm.

            Although some women worked solely as dance hall girls, they were treated the same as prostitutes by decent society. Some resentment surely built up between prostitutes and their less sinful dance hall counterparts, many whom never sold their bodies for sex. Just the same, gals such as Tillie Fallon, a dance hall girl in Cripple Creek in 1912, were lumped in with the baddest of girls by authorities. In 1899, The Cripple Creek Citizen reported on a dance hall girl named Blanche Garland who committed suicide with chloroform at the Bon Ton Dance Hall. Although Blanche was not a prostitute, the newspaper spilled forth details about the girl’s life much like they would brazenly reveal the facts about a prostitute in order to humiliate her to her family and friends: Blanche was about 20 years old, had had trouble with her lover the previous evening, and has parents who lived in town. Blanche had formerly been married to William Garland, who had died in 1896 from wounds received in the Spanish-American War.

            Naturally, most girls aspired to marry their favorite customer. Mattie Silks of Denver recalled that some of her girls had married their clients and that most of them were satisfied with the union. “They understood men and how to treat them and they were faithful to their husbands. Mostly the men they married were ranchers. I remained friends with them, and afterwards with their husbands, and I got reports. So I knew they were good wives.”

            If she couldn’t marry a good man, the best a girl could hope for was to make friends with one or more of her customers. Cripple Creek dance hall girl Lizzie Beaudrie recalled an evening when everyone suddenly disappeared from the dance floor and she heard several gunshots outside. One of the gunmen walked into the hall and expressed some surprise at seeing Lizzie standing alone.

            “Say, you, didn’t you hear me shoot?” he said.

            “Yes sir, but you weren’t shooting at me, were you?” Lizzie replied.

            “Well, why didn’t you run and hide like the rest of them?” the man asked.

            “I wasn’t afraid. No, I guess not. So I couldn’t run.” Lizzie answered.

            The man befriended Lizzie, commenting, “…you are the only girl who ever spoke a civil word to me.”

            The woman who managed to actually secure a lasting relationship with a customer was one lucky girl indeed. More often than not however, women suffered in relationships with men who were alcoholic, addicted to drugs or violent. Many male partners were no more than pimps who saw the chance to make money at a woman’s expense. In 1889, Emma Moore was working for Ella Wellington in Denver. Emma was the wife of C.C. McDonald, who managed variety shows. When McDonald traveled to Montana, Emma fell ill and moved in with Abe Byers, who brought her back to health but began abusing her. Emma returned to work at Ella’s, but at one point the police were called because Byers threatened Emma’s life. On the 23rd of December in 1896, a black man named Clarence Williams was arrested in Poverty Gulch for fighting with his white mistress. Both were arrested and fined $5 each.

            Domestic violence was shockingly commonplace in red-light districts throughout Colorado. Newspapers in Silverton were rife with stories of abuse by both women and men. In 1892 prostitute P. Jenny was under a doctor’s care after a skirmish with a miner. In 1897 a woman known as Flossy stabbed a man who had offended her. In 1900, a jealous customer named Ten Day Jack Turner shot a man who was courting his favorite prostitute. After the shooting, Turner went to the brothel of Lillie Reed and clubbed her on the head. Also in 1900 George Lynch was arrested for smashing a mirror over the head of prostitute Sydney Davis.

            Lizzie “Liddy” Beaudrie recalled seeing a woman named Jewel who had been in Cripple Creek since the early 1890’s. One side of her face was stunningly beautiful; the other side was hideously scarred from face to neck from a knife fight with a jealous wife. Lizzie was shocked by the abusive treatment she witnessed, even though she herself was a victim. From approximately 1898 to 1904, Lizzie (nee Ellson) worked as a dance hall girl in Cripple Creek. Born in 1882, Lizzie had lived with her grandmother and uncle somewhere in the east since the age of 14. Both “were very kind to me, and I never in all my life had a cross word spoken to me, or a hand raised in anger.”

            That all changed in 1896, when Lizzie met Louie Beaudrie, an amusement park employee who literally followed her home and began stalking her. Lizzie found his charms irresistible. “I fell madly in love with him and him with me.” she later wrote. Thus began Lizzie’s relationship with an abusive older man who, as it turned out, lived with his mother. The two never married, but Louie often introduced Lizzie as Mrs. Louie Beaudrie. He also tole her grandmother and uncle they were married.

            At first Lizzie found him handsome, polite and a good singer. Then Lizzie lost her virginity to Louie and got pregnant. “[Louie] got medicine and made me take it and saw that I did, and soon I was alright,” she said of her first abortion. Lizzie was destined to have three more abortions and subsequent miscarriages. As time went on the relationship became more stormy, between Lizzie’s temper and Louie’s jealousy. Lizzie caught Louie cheating on her several times. Louie beat Lizzie when she returned from an innocent visit with her friend Myrtle. He also once shredded a dress she was wearing with a knife.

            Eventually Louie went to Cripple Creek, sending for Lizzie sometime in 1898. The two took a room on Bennett Avenue, and Louie played piano in the saloons at night. Occasionally he took Lizzie out. Of Cripple Creek, Lizzie remembered, “There were a few stores, a bank, some restaurants, some drug stores and lots of saloons. The street was lit up and I liked it.” Soon Louie began taking Lizzie to dance halls, nestled in the heart of the red-light district. Lizzie described her first look at Myers Avenue in 1898: “We stood on the corner. I looked across the street. I saw a row of houses with women sitting in the windows. They had low neck and no sleeve dresses. A light shown above them and some were smoking cigarettes.”

            Before she knew it Lizzie was employed at Crapper Jack’s, which she politely referred to in her memoirs as Cracker Jack’s.  Her boss was Jack, and she quickly made friends with a co-worker named Rose. Lizzie gave all her money to Louie. The two lived and dressed well, and Louie gave Lizzie a ring made from an opal tie pin and a gold watch purchased in Cripple Creek. These brief expressions of love, however, continued to be interspersed with occasional beatings.

            One night in 1902, Lizzie caught Louie with a blonde around his neck at his place of work. After a big row and Louie’s promises of love, Lizzie was sent back home for a visit. She returned in about 1903, just after her twenty-first birthday. Louie refused to let her go back to the dance halls, offering to move with her to Pueblo instead. Shortly after the move, Louie went to find work in California. Left behind in Pueblo, Lizzie eventually ran into a friend from Cripple Creek who informed her that in her absence Louie had married the blonde girl she’d caught him with.

            Lizzie returned to Cripple Creek immediately and confronted the woman, Jenny Nelson Beaudrie, at the Beaudrie home. Lizzie remembered that Jenny looked frightened upon seeing her. Lizzie pressed her advantage by being rude, but left after ascertaining that Louie wasn’t there. When Lizzie found Louie and confronted him, he spurned her with cruel words and claimed he never loved her. Afterwards Lizzie began drinking heavily. Her friend Rose had to talk her out of turning to prostitution. In 1904, Lizzie married a former customer known as Soapy and  moved to Creede, where she lived until her death in 1960 at the age of seventy-eight. In 1944, Lizzie wrote her memoirs of her days as a dance hall vixen. Soapy, to whom Lizzie was married for over forty years, likely had no idea of the manuscript his wife secretly penned. Soapy died in about 1951. As for Louie, he later returned to his hometown and died there.

            Lizzie’s story was not uncommon. On the whole, society in general turned its back on such goings-on. Newspapers, with their sensationalistic journalism, just made things worse. The Cripple Creek Times, for instance, made light of the 1904 case of “Slim” Campbell, an anti-union miner in Cripple Creek, who “brutally murdered a woman of the half world” after his release from jail during the 1903-04 labor wars. “He was allowed to make his escape by the sheriff.” In 1910, the Pueblo Chieftain poked fun at Miss Pearl Stevens, a drunken prostitute who called for the Justice of the Peace to come “pinch” Pete Froney for her after the saloon owner beat her. Much to the public’s amusement, Pearl swore out a warrant for Froney’s arrest but canceled it two hours later.

            Occasionally, however, even the newspapers sympathized with prostitutes, such as in the sad 1905 case of Silverton dance hall girl Mable Kelly who was beat and kicked nearly to death by pimp Frank Anderson. “He should be given the limit of the law,” declared the paper, adding that upon completing his sentence Anderson should be run out of Silverton and tarred and feathered if he returned.

            The other extreme of such relationships resulted in many a heartbreak for prostitutes hoping to marry their customers. In 1876, the Boulder County News reported on Lena Rosa, an inmate at Sue Fee’s brothel. Lena became despondent after receiving a letter from her lover in Georgetown, casting her off. That night, even as another customer slept beside her, Lena rose and took an overdose of morphine. The newspaper commented that thirty-year old Lena had left behind a nine-year-old daughter who was living in St. Louis. Lena’s success at suicide was countered in 1882 by the saving of Frankie McDonald, an employee of madam Sue Brown. Frankie had also attempted suicide over a young man who refused to return her affections by taking morphine and laudanum. The act was repeated with Boulder prostitute Mamie Myers in 1889.

            Not all girls allowed themselves to be victims. A resident of Central City recalled walking up forbidden Pine Street as a little girl and spying a scantily-dressed prostitute dangling a silver crucifix over the front rail of her porch. Below was a prominent male citizen of the town, on his knees, begging her to give it back to him. And in 1867 the Central City Tribune commented on Moll Green and Elmer Hines, who were on trial for a murder committed at Green’s house. Apparently the woman had just recently got out of jail for assaulting a man. Arrests for loud parties, lewd language and even vandalism were also the norm during this time.

            Laura Evens put up with very little. Her brass checks supposedly read “Eat, Drink, Go to bed or Get out.” Once she knocked her paramour, a man named Arthur, through a window for dancing too much with another woman. Of the incident, Laura recalled that “…his head got stuck in the plate glass and like to cut his throat.” She also willingly admitted, “When Arthur and I got mad at each other we’d fight with knives, and I’ve got scars where he cut me up. I loved that man.” Laura Evens may just have been the exception to the rule when it came to defending herself against rough customers. Laura’s employee LaVerne recalled there was never a male bouncer at Laura’s place, but if a customer got too rough as many as eight girls could offer assistance in subduing him. For this reason, Laura’s girls never locked the doors to their rooms when they had a client.

            Others took measures to defend not only themselves but also their own. Two harlots from Lake City serve as an example. One day Jessie Landers from Clara Ogden’s Crystal Palace on notorious Bluff Street took a shot at a man who was forcing his attentions on her. The shot missed, hitting the girl’s fiancé instead. Other sources say the fiancé was talking to a pimp and that Jessie shot him on purpose. Either way, Jessie was tried and convicted of murder. During her four-year sentence, she contracted tuberculosis. Upon her release she returned to Lake City. Clara Ogden had long departed, but Jessie lived out her short life in Lake City. On her deathbed, the girl asked Reverend M.B. Milne of the Baptist Church to conduct services for her. He agreed. Shortly afterwards the girl died, and her body was prepared for the funeral. At the church, however, one of the trustees refused to open the doors and admit the funeral party. The services were held elsewhere, with Reverend Milne keeping his promise and even accompanying the party to the cemetery. Later, the church trustee who had refused admittance was followed and horsewhipped by two women from Bluff Street. There were several witnesses, but none would testify as to what happened.

            If a girl could not rely on friends within her job position, she sometimes could rely on family. A surprising number of women entered into the profession via their mother, an aunt or perhaps a sister. Birdie and Mae Fields were sisters who practiced prostitution in Colorado City in 1896. Likewise, when twenty-two-year old Jewel Lavin arrived from Denver to work in Cripple Creek in September of 1911, she was accompanied by a twenty-year-old sister named Myrtle. Both girls left town on January 2, 1912 but returned within a few days of each other in February. In September the sisters departed again for Denver. Only Myrtle returned later that month and resumed working in Cripple Creek.

            The family of a prostitute included children born to her while she was in the profession. Most women dreaded the idea of hindering their work with a pregnancy, and steps were taken to avoid such an inconvenience. According to Laura Evens’s employee LaVerne, men sometimes brought rubbers with them or they were provided by the girls, who insisted on using them. Douching was probably the most common form of birth control, concocted from solutions like bicarbonate of soda, borax, bichloride of mercury, potassium biartate, alum or vinegar. Another popular method was a contraceptive made from cocoa butter with glycerin, boric acid and tannic acid.

            When these methods failed, pregnancy was dealt with on a case-to-case basis. Many women had their babies, but abortions could be induced with dangerous substances such as ergot, prussic acid, iodine, strychnine, saffron, cotton rust, or oil of tansy. Unpleasant ande even as perilous as it was, abortion was an attractive alternative to bearing a child for many. In March of 1895 in Cripple Creek, Mrs. Lucinda E. Guyer was on trial for causing the abortion-related death of Myrtle Coombs. A resident of Cripple Creek since at least 1893, sixty-year old Mrs. Guyer allegedly worked as a laundress and was located within a few blocks of the red-light district. Mrs. Guyer’s attorney, a Mr. Goudy, pleaded insanity, but Lucinda was sentenced to one year in the Colorado State Penitentiary. Upon her release, Lucinda returned to Cripple Creek.

            Children in brothels were more common in the lower-class houses. When Boulder madam Sue Fee died from her drug habits in 1877, she left behind a son guessed to be about four or five years old. The Denver census for 1880 lists three women, Ella Cree, Hellen McElhany and Miss Doebler as having a collective six children between them. Likewise, four-year-old Elizabeth Franklin was living with her mother, Mary Franklin, in 1900 at Colorado City. Little Elizabeth, whose sibling had died, lived in her mother’s workplace, Anna Boyd’s bordello, at 625 Washington. In Trinidad, Margarita Carillo had a three-year-old Italian boy living at her brothel. The census notes the boys’ parents were deceased.

            Being raised in a brothel was not the easiest childhood to bear. The children often had little contact with the outside world, relying on the confines of the brothel for entertainment, education, care and feeding. Because so many prostitutes were illiterate, their children tended to be illiterate as well, since sending them to public schools was often out of the question. Brothel children were more likely to be the subject of teasing or bullying, and some schools refused outright to admit them at all. Their unstable home lives, as well as their tendency to relocate along with their mothers, made for poor attendance. Also, many prostitute mothers lacked the knowledge or inclination to send their children to school, or were afraid of retribution from school authorities—such as having their children taken from them—if they did.

            Without an education or chances for advancement outside of the bordellos they were raised in, most children faced dim futures with limited career opportunities—unless they learned the brothel or bar room trade. Daughters of prostitutes were sometimes, but not always, trained to follow in their mother’s footsteps. Mrs. Annie Ryan is one of many who began a family operation in Cripple Creek with her three daughters before moving to Denver. Such actions were generally highly frowned upon by authorities and society, especially in situations involving pre-teenage girls. In 1876, the Daily Rocky Mountain News reported on Mary “Adobe Moll” Gallagan. A raid at Mary’s Denver house revealed an eleven-year-old and a thirteen-year-old who were “employed” as prostitutes. The latter was a little black girl who had lost both arms and a leg in an accident. Just a year later, the newspaper reported that a Mrs. Whatley had a fifteen-year-old daughter who had been a prostitute for three years. She also employed a twelve-year-old who told authorities she had been with men at Whatley’s.

            Rescuing these poor children was often the goal of crusades led by the Women’s Christian Temperance Union and even police officers themselves. In 1880 the Pueblo Chieftain told the account of a sixteen-year-old Alamosa girl rescued from the brothel of Nellie Moon. The girl was talked out of continuing her budding profession by South Pueblo Deputy Sheriff Patrick J. Desmond.

            At times, the horror of placing their children in such dangers scared some prostitutes straight. On October 6, 1898, the Cripple Creek Morning Times reported on Robert Penton, who was found guilty in Colorado Springs of the murder of Dan Mills at Mills’ saloon in the Cripple Creek District town of Goldfield. Penton had apparently confessed to Nell Taylor, whose husband, Bob, had held up the Florence & Cripple Creek Railroad back in 1895. It was Nell, a sometime prostitute, who had turned her husband in and guaranteed his conviction. A second man indicted along with Penton, Moore, was convicted of raping Nell’s daughter earlier in the year. Presumably, Nell was trying to make a clean start for herself.

            Besides sexual assault, children and teenagers were also subjected to the drug and alcohol use that was present in every bordello and parlor house. Depression ran high among the girls, many of whom became addicted to such vices to escape their problems. Many standard medicines contained potentially lethal doses of such drugs as laudanum, morphine, cocaine, opium or alcohol. Wyeth’s New Enterius Pills, Feeley’s Rheumatic Mixture and Godfrey’s Cordial all contained morphine. Laudanum, a liquid form of opium, was applied to sprains and bruises or consumed straight from the bottle. Combinations of morphine and cocaine relieved colds. Visiting opium dens in the back of Chinese laundries or brothels was also a popular pastime.

            Another deviant behavior was constant exposure to, or participation in, crime. During her career, a prostitute was likely to be arrested not only for violating ordinances against prostitution, but also for fighting, stealing, public drunkenness, or even murder. Fighting was very common among prostitutes. The Pueblo Chieftain in August of 1872 reported: “Yesterday a couple of abandoned women at the Hotel de Omaha had a misunderstanding that culminated into a regular street fight. They rolled and tumbled in the mud, pulled hair, fought, bit, gouged and pommeled [sic] each other and filled the air with blood curdling oaths. None of the police officers were on hand to interfere. It was a disgraceful spectacle and a strong illustration of the morals on the banks of the Arkansas.” In 1880 the Boulder News and Courier commented on a scuffle at Mrs. Brown’s in lower Boulder that “resulted in the complete demolition of one of the ladies, whose head came in contact with an empty beer bottle.” And in 1899 the Cripple Creek Citizen told of Julia Belmont who “carved up” Maggie Walsh at the Bon Ton Dance Hall. “The surgeons took several hours to sew up the gashes in the face.” Julia, a fellow dance hall girl, was spurred to violence when she saw Maggie dancing with a favorite customer. The same thing happened in Denver that year, when Minnie Gardner stabbed Nellie Thomas. Minnie had spied Nellie with her husband, Ed, and followed the couple to an opium den.

            Newspapers enjoyed capitalizing on such scenes. In 1886 the Silverton Standard made the most out of a fight involving Dutch Lena and Irish Nell, who duked it out and were subsequently arrested. In June, both Lena and Nell teamed up with Minnie “the Baby Jumbo” to beat up another girl known as Oregon Short Line. Lizzie Beaudrie also experienced violence in the dance halls. One night she had a fight with an employee named Grace, who came after her with a knife. Grace ended up with two black eyes, cuts on her mouth and several bruises. Prostitutes were certainly were not beyond killing. Denver newspapers were rife with similar incidents.

            Most clients had to worry about stealing more than violence at the hands of prostitutes. Some girls learned to bite diamond lapel pins, buttons and other small gems from their customer’s jackets and shirts. Some brothels became known as  “panel houses”, wherein a woman would lead her victim into a room. Suddenly a man would pop out of a hidden panel, pass himself off as an enraged husband, and extort money from the surprised stranger before escorting him unceremoniously from the premises. Or, that same panel might be used to sneak into the room and steal the victim’s money while he slept or was otherwise engaged. Sometimes there was merely a sliding panel in the back of a closet. “Panel workers” would then remove the man’s wallet and take just enough money from it not to be noticed before putting it back. “Creepers” accomplished the same thing by sliding stealthily across the floor to the man’s clothes while the girl kept him busy. “Hook Artists” used a rod and hook to lift the clothes into reach.

            Prostitutes could also often be coerced to steal by their gentlemen friends or pimps. In 1885 Maggie Moss, a seventeen-year-old Denver prostitute, assisted her partner of three years to rob a bank. If they knew they might receive a beating for not making enough money, some girls were not beyond stealing to satisfy their pimps. At other times the girls raided each other’s trunks or even collaborated on a crime together. In 1891, Denver prostitutes Blanche Morgan, Ardell Smith, Mattie Fisher and Mollie White were arrested for successfully conspiring to kill William Joos with an overdose of morphine so they could rob him of $55.

            Some crimes committed by prostitutes were no more than acts of vengeance. Men who were identified as spreading venereal disease were singled out, if they could be found. Catching such debilitating maladies was one of the worst fates a working girl could suffer. Over-the-counter remedies such as Naples Soap, The Boss, Armenian Pills, Big, Bumstead’s Gleet Cure, Hot Springs Prescription, LaFayette Mixture, Red Drops and Unfortunate’s Friend seldom offered successful results. Mercury was used to cure syphilis, but could just as easily prove fatal.

            Laura Evens showed her employees how to check their clients for venereal disease before having sex. The procedure basically consisted of pinching the base of the penis with thumb and forefinger and squeezing while sliding one’s hand to the top. If a telltale gray mucus came out, it could be assumed the client was infected. One customer recalled how a girl approached him and “…seized my genital organ in one hand, wringing it in such a way as to determine whether or not I had gonorrhea. She did this particular operation with more knowledge and skill than she did anything else before or after.”

            The girls took further precautions by washing their customers with soap and water. If a man had venereal disease the girls had to refuse him. After each transaction the girls washed first the men and then themselves, a practice that seems to have been common in most houses. In those days venereal disease was taken fairly lightly by the general public, probably because it was so rampant. Some men were even known to joke or brag about having “the clap” and spread rumors about where they got it and from whom. To the prostitute, however, venereal disease was serious business.

            The public health care system was terribly primitive by today’s standards, but a few cities in Colorado took steps to improve the situations of sick prostitutes. In 1881 the Ladies’s Benevolent Union opened Pueblo’s first hospital for the homeless. Part of the care included helping prostitutes to reform. Nellie Brown was one success story in 1890, although shortly after her reformation she died at the tender age of fourteen of unknown causes. In Cripple Creek, Frankie Williams and Edna Lewis are both noted in the city police register as spending some time at Mrs. Mattie Bidwell’s Rooms at 243 East Myers in January of 1912. In April, Edna was noted as  “back on row.” As for Frankie, the girl worked briefly at the Old Homestead and at 435 Myers Avenue but died on June 1. Mrs. Bidwell’s may have actually been a recovery house. Many ill prostitutes also ended up at St. Nicholas Hospital, cared for by the Catholic Sisters of Mercy.

            Sadly, a large number of prostitutes succumbed to their reckless lifestyles and poor care. In January of 1896, nineteen-year old Ruth Davenport constituted the saddest of cases in Cripple Creek. Newspapers reported how the girl lay dying above Mernie’s Dance Hall, deathly ill with pneumonia. Below it was business as usual with music and dancing to the “Monterey”. When Ruth died later that evening, the dance hall closed for the evening and the revelers went elsewhere. The newspaper reported that Ruth had come from Central City the previous October. It was also said she came from a good home in Denver, but was driven away on account of her wild ways. Beyond that, no other information was given.

            In 1899, one of Silverton madam Molly Foley’s girls, May Rikard, died after a night of combining alcohol and morphine. Girls of the row solicited donations for her burial. Less is known about the deaths of girls like Goldie Bauschell, who was twenty-nine-years old when she came to Cripple Creek from California. Several aspects about Goldie pointed to the hard life she had led: she weighed in at 205 pounds, had small pox scars on her face and a bullet scar near the front of her head. Goldie died on August 14, 1911. The cause of her death and place of her burial are unknown.

            Suicide also ended many a life. Many girls favored drinking carbolic acid, which produced a quick but agonizingly painful death. When Cora Davis attempted suicide in Boulder in 1881, she used strychnine. The tragic picture of a soiled dove committing suicide was less than glamorous. Police reporter Forbes Parkhill recalled accompanying a policeman to Mattie Silks’ place on New Year’s night in 1913. Mattie silently led the men upstairs to the room of a girl named Stella, who was writhing and sobbing in agony on her bed after taking a dose of poison. The girl wore only a pair of silk stockings, despite the fact it was twenty-one degrees below zero outside. As the men carried Stella downstairs, she threw up on Parkhill and ruined his suit. There was no ambulance available; the men loaded her into the police car and delivered her to the county hospital, where she died the next day.

            And there were other methods. Goldie was a resident of the Crystal Palace in Colorado City. In May of 1891 she attempted suicide by jumping from a second-story window. She was seriously injured but survived the fall, and whether she attempted to take her life again is unknown. In March of 1892 two of Mattie Silks’ girls, Effie Pryor and Allie Ellis, were found lying nude together after a double suicide attempt via morphine. Effie was saved but Allie died. Another alternative was taking pills, such as in the 1913 case of Nora McCord at Salida. On her deathbed, Nora declined to give her real name or that of her relatives.

            For as much as they aspired to do themselves in, prostitutes were often quick to help others in need. The tragic and well-known story of Silver Heels, the Colorado dance hall girl whose aid to miners during a smallpox epidemic resulted in the scarring of her own beautiful face, is a case in point. So many yarns have been spun about the story of Silver Heels that the truth seems lost to history. Similar stories have been found in other parts of the United States. Most recently, author Tara Meixsell romanticized Silver Heels’ story in a fictionalized novel of the same name. In Colorado only Mt. Silver Heels, located north of Fairplay, as well as a namesake creek and even a mine with its short-lived camp, attest to her ever existing at all.

            According to most stories about Silver Heels, she was a beautiful dance hall or parlor house girl who hauled her petticoats into the Fairplay Mining District sometime between 1861 and 1870. Various writers have placed her at the district towns of Alma, Fairplay, Dudley or, more often, Buckskin Joe. There, she appeared at Bill Buck’s saloon or “stepped daintily from the stagecoach which brought her to the mountains.” According to Kay Reynolds Blair, a manuscript by Albert B. Sanford in the Colorado Historical Society identifies Tom Lee as the man who tried to set the record straight about Silver Heels. According to Lee the stage may have come from Denver, and upon disembarking the lone young woman seemed “lost and confused.”

            So, who was she? A 1963 Denver Post article theorized that her real name was Gerda Bechtel, and that she hailed from Letitz, Pennsylvania but changed her name to Gerda Silber. The writer, Robert W. “Red” Fenwick, also asserted that the name Silber was really the girls’ pseudo-surname, bastardized to make her colorful nickname. In Blair’s version by Sanford, Silver Heels next was taken under the wing of a local saloon and gambling hall owner, Jack Herndon. Upon being escorted to the best house in town, the home of Mr. and Mrs. Mack, Silver Heels fainted. While being cared for by Mrs. Mack, Silver Heels revealed her life story which Mrs. Mack never told to another soul. Mrs. Mack’s discretion endeared her to Silver Heels and they became good friends. Before long, according to Blair, Herndon found out her true name was Josie Dillon.

            Whoever she was, Silver Heels was said to be beautiful beyond comparison. Many a miner fell madly in love with the beauty, and it was said that some would walk for miles just to look at her. One or more of her paramours allegedly bestowed the gift of silver-heeled dancing shoes upon her, thus her colorful pseudonym. Indeed, Silver Heels in her beautiful shoes “could dance faster and more gracefully than anyone.” She also soon became a favorite of the town children, and in the version that has her living with the Macks she would often order candy from Denver and entertain the children in the afternoons. Furthermore, Silver Heels was an “angel of mercy”, according to a miner named Henry Maher who was interviewed in 1938 at the age of eighty-five. Not only did she nurse the sick, but she was also willing to grubstake miners. To top it off she had a good nature and was always nice to folks.

            In the story by Blair, it wasn’t long before Silver Heels was engaged to one of the local miners, possibly Jack Herndon. Jack and Silver Heels and the Macks all pitched in heroically to raise money, food and clothing for victims of the Chicago Fire of 1871. In the end Silver Heels was the star at a benefit to raise money, her music and dance studies serving her well. On her feet were her signature slippers, which in this version were not a gift of the mining men. The benefit raised $1,750, more than the other nearby camps had raised altogether.

            Of course, most versions of Silver Heels’ tale have her most famous heroics taking place during a smallpox epidemic. Silver Heels stepped forward to help those with the virus when others wouldn’t. Many people fled in terror, and even a telegram to Denver yielded only two or three additional nurses. Silver Heels made a makeshift hospital out of the dance hall formerly owned by her lover, and by some miracle apparently arranged to pay everyone’s doctor bills herself.

            During this time, according to Blair’s first version, Silver Heels’ fiancé was one of the first to die. Interestingly, Sanford’s version claims Josie did not contract smallpox. She and Jack left for Denver, married and returned to Buckskin Joe. There they were given a huge reception, built a new home, and a baby named Marion Lee Herndon. When Jack’s father died in Kentucky about a year later, the couple gave their land to Tom Lee and departed forever. A survey group that visited the area sometime afterward were told to name the mountain nearby Silver Heels after their heroine.

            Blair’s version by Sanford is probably the least known of the Silver Heels legends, even though it seems most sensible. But sensible can be boring, and every other tale about her has her catching the dreaded smallpox. The good citizens of Buckskin Joe nursed her back to health and though she survived, she was pockmarked for life. What happened next is anybody’s guess, based on the various sources of this story. In one version, Silver Heels was forced to continue working alongside women like Jeannette Arcon in the dance halls of Buckskin Joe, Alma, Fairplay, Park City and the nearby town of Montgomery, wearing a heavy veil to disguise her scars. Fenwick wrote that after a time she announced she was moving to Denver to marry “an old friend.” In Denver she resided for a time at a hotel before disappearing forever.

            In another version, Silver Heels was so ashamed of her newfound ugliness she either left town or became a recluse. In some versions, her disappearance was discovered after a group of miners solicited $5,000 as her reward for aiding the sick and found her cabin empty when they went to give it to her. According to Max Evans, a heartbroken admirer painted her face on a barroom floor somewhere in town. Other writers have ended this tale with the most romantic part: years after Silver Heels left town, a woman wearing a heavy veil over her face was seen walking through the cemetery in Alma. In some versions she is dressed in fine clothes. In other versions she is weeping and escapes before anyone can get close enough to identify her.

            A few authors have even speculated that Silver Heels was none other than Silver Heels Jessie of Salida. When smallpox hit the town, Madam Laura Evens ordered a local physician to issue nurses uniforms to her girls so they could aid the sick. Jessie, who was in Laura’s employ, was given the duty of nursing a minister’s wife. The minister was so grateful he offered Jessie a job as housekeeper and companion to his wife. The girl modestly declined, saying “Now that my job is done, I’ll be on my way back to Miss Laura’s on Front Street.” The minister, who had no idea the young nurse was a prostitute, was shocked. Eventually Silver Heels Jessie married one Earl Keller and moved to Gunnison. Though she died in Gunnison in 1954, Jessie’s wish to be buried in Salida was granted. The city showed its lack of prejudice against prostitutes by allowing Jessie to be buried in the city cemetery.

            Despite all the mixed-up versions of Silver Heels’ story, the girl ultimately epitomized the harlot with the heart of gold. Only a handful of prostitutes, however, ever really received thanks for their good deeds. Maggie Hartman of Lake City was one such woman. When a miner came down with pneumonia at the nearby mining town of Sherman, it was Maggie who offered to go nurse the snowbound man. After a week in the cold and desolate cabin, Maggie also became ill. Rescuers got her as far as George Boyd’s cabin before another storm came up. Ultimately one of the good women of the town, Mrs. Mary Franklin, had Maggie brought to her home but she died anyway. Reverend George Darley of the Presbyterian Church not only spoke over Maggie’s services; he also visited her former house of employment and shook hands with each of the girls.

            And there were others. In 1891 the Silverton Standard chastised the general public for its lack of compassion. It seemed a young woman named Mrs. Gallagher was suffering hardships after the birth of her third child, with no help or support from her husband. In the end only the ladies of the row came to her aid, providing food and assistance. Another time, a former resident of Montezuma reappeared in town after going through some hard times. The town threw a benefit for her, only to witness her entering a saloon with a disreputable character before making her way to the red-light district. A local stage driver was instructed to immediately escort the girl out of town to the train depot at nearby Dillon.

            During the 1918 flu epidemic many prostitutes worked as nurses, and during the depression in the 1930’s they were known to leave food at the back doors of respectable homes without thanks or credit. Dixie, the Montezuma madam, joined her girls to care for the town’s single men during the 1918 flu epidemic. In later years, Dixie also took food to prospectors who were growing old as Montezuma’s mines played out. And in Breckenridge, a retiring madam agreed to sell her house to a large family with several children. The husband succumbed to flu before the transaction was completed, leaving the widow destitute. After the funeral, the madam quietly surrendered the deed without expecting a penny, with no one ever the wiser to her benevolent act. In another version of this tale, the heroine harlot was Minnie Colwell, a popular madam along the road to the Wellington Mine. It was said Minnie used her savings to buy a house for a family with five or six children that was destitute after a fire. That Minnie was publicly thanked for her good deed is doubtful. No matter the good deeds its practitioners performed, prostitution was a thankless profession.